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Six years of success

Gianluca Galimberti, Cremona mayor and president of the MdV Foundation (left) with Bracco Foundation president Diana Bracco and MdV general director Virginia Villa at the presentation of the ‘Bracco’ Storioni small violin

The Museo del Violino celebrated its sixth anniversary on 14 September 2019. The museum continues to grow in all areas, and in 2018 more than 100,000 people visited its collections, attended concerts and recitals and took part in conferences and workshops. This stems from management decisions that aim not only to promote the museum’s cultural heritage to ever-larger numbers of people, but also to build informed participation, with priority given to putting together a quality experience that helps visitors gain an awareness of the intrinsic values of the history and tradition of Cremonese violin making.

The Museo del Violino has, over time, progressively expanded its collection, adding features including the tombstone from Stradivari’s grave, analysis of Stradivari’s iconography, a tactile educational display and the unique listening experience in the immersive audio dome created by the Musical Acoustics Lab at the Politecnico di Milano, with the support of the Fondazione Arvedi Buschini.

Storioni’s 1793 ‘Bracco’ small violin is extremely rare both in terms of its size and its state of repair

On 2 April 2019 another masterpiece was added to the museum’s collections: Lorenzo Storioni’s 1793 ‘Bracco’ small violin. A complex project to acquire, analyse and restore the instrument brought together the Fondazione Bracco, the Municipality of Cremona and the Museo del Violino, under the coordination of the Cultural District of Violin Making. The ‘Bracco’ small violin, which bears the name of the patron whose support made the project possible, bears a handwritten label by Storioni (1744–1816). The instrument is an excellent example of late 18th-century Cremonese violin making, and, as well as being a highly valuable study object and a typical example of Storioni’s work, is extremely rare both in terms of its size and its state of repair. It is approximately 40mm shorter than a full-size instrument; the current classification of violins identifies it as a half-size violin, a student instrument designed for a child of around ten years old.

Thanks to such activities and its everyday work, the Museo del Violino is both a place where memories are preserved, shared and created, and a driver of cultural production and lifelong learning. The museum stimulates social and economic development in the local region, combines tradition and innovation, and epitomises the unique city of Cremona and its openness to the rest of the world.

This article appears in The Strad Cremona

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The Strad Cremona
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Welcome to Cremona
Mayor Gianluca Galimberti explains why the beating heart of the city is represented by its horde of talented luthiers
RETURNING HEROES
The Museo del Violino is hosting a special exhibition of some of the National Music Museum’s finest Cremonese instruments while the US institution is closed for renovations
RARITIES from VENICE
Fausto Cacciatori reports on a Museo del Violino project
Building bridges with violins
Fausto Cacciatori previews an exhibition in Croatia that explores the doctor and luthier Franjo Kresnik’s deep connection with Cremona and its violin making tradition
UNITED WE STAND
Cremona’s Cultural District of Violin Making brings together violin makers and municipal, academic and scientific institutions to promote lutherie education and research, writes Chiara Bondioni
Six years of success
Museo del Violino general director Virginia Villa celebrates the museum’s latest anniversary, and introduces a newly acquired masterpiece by Lorenzo Storion
FROM CREMONA TO MEXICO
Paolo Bodini introduces an exhibition of Cremonese masterpieces in Puebla, the capital of Mexican Baroque
A DECADE OF friendship
The Friends of Stradivari project celebrates ten years of hosting great instruments in Cremona
FESTIVAL of FIRSTS
Cremona’s STRADIVARIfestival features debut performances by leading violinists as part of a two-week musical feast, writes Roberto Codazzi
All under one ROOF
The Cremona Musica exhibition, held every year in September, has become an unmissable showcase of contemporary lutherie from around the world
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