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Contributors

DAVID BURGESS

(Making Matters, page 72) has won 14 gold medals and first prizes at international violin making competitions, and has served as a judge at competitions in Cremona, Moscow, China and the US. He lives in Ann Arbor, Michigan, where he makes new instruments on his own models, as opposed to copying prior work.

OSKAR FALTA

(Leonard Rose, page 48) studied cello at the Robert Schumann Hochschule Düsseldorf and at London’s Royal Academy of Music, and has recently earned his doctorate at the University of British Columbia. He has also translated for Bärenreiter, and has been an invited lecturer at the Vancouver Institute.

RAPHAEL GOLD

(Hollywood bow makers, page 54) is a lead associate at Ifshin Violins, in California. He is a Professional violist, including a seven-year stint with the Yucatan Symphony Orchestra in Mexico. He holds a master’s degree in history from the University of Chicago.

JULIE LYONN LIEBERMAN

(Inclusive strings, page 32) is a multi-style Violinist and vocalist, the author of thirteen books, six DVDs and two National Public Radio series. She is the artistic director of Strings Without Boundaries and her two-dozen multi-style string orchestra scores have been published by Alfred, Kendor and Carl Fischer.

HAGAI SHAHAM

(Masterclass, page 74) regularly tours throughout Europe, North and Central America, and performs at international recital series and festivals. He is a professor of violin at the Buchmann-Mehta School of Music at Tel Aviv University.

DAVIDE SORA

(Trade Secrets, page 66) trained at the International Violin Making School of Cremona. He has won prizes at the Cremona International ‘Triennale’ Competition in 1991, 2003, 2006 and 2015, when he received a third prize in the violin category along with a special prize for the violin with the best acoustics.

This article appears in November 2020

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This article appears in...
November 2020
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Editor’s letter
When, in March 2019, The Strad held its rst Stradfest
Contributors
(Making Matters, page 72) has won 14 gold medals and
SOUNDPOST
Letters, emails, online comments
The devil and the deep blue sea
With a Covid-19 second wave looking increasingly likely in the UK, string teachers are faced with the choice of returning to work in schools, or continuing with online tuition
OBITUARIES
Double bassist Erich Hartmann, who died on 6 July
Ex-Shanghai Quartet violinist sues former colleagues for unfair dismissal
ALL CHANGE: Two of the world’s leading female violinists
A clear purpose
Using new materials to help bring balance and beauty to players’ sound
Life lessons
The British cellist reflects on transformative experiences in the US and returning as a teacher to his old student haunts
UNITED IN SOUND
After twelve years together, the Dover Quartet is marking its graduation to the ranks of mature ensembles with a new Beethoven recording cycle and a residency at the Curtis Institute. The players speak to Charlotte Smith from the Bravo! Vail Music Festival
THE SPICE OF LIFE
Too often string teachers shy away from embracing styles outside the Western classical canon, but in doing so they’re ignoring a wealth of useful skills and techniques, not to mention repertoire, writes
DISPATCHES FROM THE FRONT LINE
Gennady Filimonov examines the letters between Carlo Bisiach (1892-1968) and his American representative Leo D. Larsson, which provide a fascinating perspective on the violin trade in the 1930s and 40s, as well as an insight into the Italian luthier’s working methods
AMERICAN DREAMS
On his latest album, German Violinist Frank Peter Zimmermann devotes himself to the works of Bohuslav Martinü and Bela Bartök, two immigrants to the US in the wake of the Second World War, as Tom Stewart reports
ALL ABOUT THE BOW
American cellist Leonard Rose was a consummate performer and pedagogue, whose velvety tone was the result of complete mastery of the bow arm. Oskar Falta explores some of his bowing theories and speaks to former students about his teaching techniques
UNSUNG HEROES of the SILVER SCREEN
Lasting from the late 1920s to 1960, Hollywood’s golden age was a boom time for musicians, and those who catered for them. Raphael Gold tells the stories of some of the era’s bestregarded LA bow makers, and reveals why their work should be better known today
ARTHUR JAMES MASKREY
A close look at the work of great and unusual makers
Removing the mould after gluing the linings
A simple procedure that imitates the methods of the old Cremonese makers
MY SPACE
A peek into lutherie workshops around the world
New angles on an old problem
David Burgess explains how he made a simple device for raising and lowering the tailpiece, to compare the differences in sound when adjusting the string angle and downforce on the bridge
BRAHMS VIOLIN SONATA NO.3 IN D MINOR OP.108
In his explorations of the first movement, Hagai Shaham discusses the German composer’s clear performance instructions, intimate Romantic style and self-critical nature
Playing with expression
Ideas to help you experiment, and to find new sounds and means of expression on your instrument
RECORDINGS
BEETHOVEN String Quartet in C sharp minor op.131 LIGETI
CONCERTS
Peter Quantrill watches some fine performances from
From the ARCHIVE
One year into the Second World War, The Strad laments the limited prospects for British musicians, despite the indisputable need for music in such troubled times
IN THE NEXT ISSUE
1734 ‘Willemotte’ Stradivari Sam Zygmuntowicz examines
AMANDA FORSYTH
For the Canadian cellist, Richard Strauss'sDon Quixoteis a rollercoaster ride through all the composer’s Romantic works, as well as a huge physical challenge'
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