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Contributors

TOMÁS COTIK 

(Technique, page 80) studied with Ana Chumachenco and Shmuel Ashkenasi among others. He has a masters from Freiburg University of Music in Germany and an artist diploma from the Glenn Gould School. He currently teaches at Portland State University, OR, US.

FRANCESCO PIASENTINI 

(CT scanning the ‘Messiah’, page 34) graduated from the Cremona International Violin Making School in 2001 and worked for several years as a violin maker and restorer at the atelier of Giovanni Lazzaro in Padua. Since 2015 he has been working in his own studio in Ponte San Nicolò, Padua, Italy.

RENATE FINK 

(Trade Secrets, page 64) is a maker and restorer of violas da gamba and instruments of the violin family. She trained at the London College of Furniture and now works in Osterwieck, Germany. She is also a short course tutor at West Dean College in Chichester, UK.

JENS STENZ 

(In Focus, page 60) studied at the Welsh School of Violin Making. He subsequently worked in Copenhagen with Emil Hjorth & Sons before opening his own workshop in Aarhus, Denmark, in 1986. He collects instruments made in Denmark and has carried out research on the history of Danish violin makers.

KORINTHIA KLEIN 

(Basic maintenance, page 48) is a luthier, musician and writer based in Milwaukee, WI, US, where she has run her own shop since 2008. She builds violins and violas, and works to keep student instruments functioning. Her latest book is entitled My Violin Needs Help! A Repair Diagnostics Guide for Players and Teachers.

BENJAMIN WHITCOMB

(George Neikrug, page 40) is professor of cello and music theory at the University of Wisconsin-Whitewater, where he has received awards for his teaching, research and service. He performs frequently throughout the country and abroad. A prolific author, he has published 10 books and 30 articles.

This article appears in January 2021 and String Courses Supplement

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This article appears in...
January 2021 and String Courses Supplement
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Editor’s letter
ANGELA LYONS W hen French cellist Jean-Guihen Queyras
Contributors
TOMÁS COTIK (Technique, page 80) studied with Ana
SOUNDPOST
Letters, emails, online comments
Lost at sea?
More musicians than ever are speaking out about struggles with their mental health, but what support services are available in this time of crisis?
OBITUARIES
ALEXANDER BUZLOV The Russian i nternational solo c
YCat musicians to give classes in musicianship
COMFORT AND JOY: For the first time, the
Top lots from the London sales
Despite the problems of Covid-19, the October sales went ahead as planned in the capital. Kevin MacDonald reviews some of the highlights
The big reveal
A celebration of a celebrated violin
Lifelessons
Rohan de Saram
A JOURNEY THROUGH TIME
Recording Beethoven’s ‘Triple’ Concerto last June allowed French cellist Jean-Guihen Queyras to step back into near normality, among colleagues and friends. He tells Pauline Harding about recording at a social distance, the importance of musical ‘family’, and why working with living composers has helped him to find contemporary relevance in music from every era
SECRETS OF THE ‘MESSIAH’
In 2016 the ‘Messiah’ Stradivari was the subject of an extensive CT scanning project. Francesco Piasentini and Gregg Alf examine the resulting data, discovering repair work in the neck, and attempt to determine how it had originally been set
GEORGE NEIKRUG MEMORIES OF A LEGEND
Cellist George Neikrug, who died in 2019 at the age of 100, was a celebrated performer and orchestral principal. However, his skills as a pedagogue were second to none, writes University of Wisconsin-Whitewater professor Benjamin Whitcomb, who has gathered personal recollections from fellow former students
RIGHT PLACE, RIGHT TIME
For Renaud Capuçon, recording Elgar’s Violin Concerto with the London Symphony Orchestra and Simon Rattle was a dream come true – and one that he couldn’t allow to be derailed by Covid-19’s lockdown restrictions, as he tells Charlotte Gardner
AVOIDING INSTRUMENT CARNAGE
Luthiers often see the same basic problems when repairing instruments – and most of them could be solved by some simple care and attention from the players themselves. Korinthia Klein presents a simple guide to violin maintenance, without encroaching on the experts’ territory
BEATING THE ODDS
Despite losing the function of the third and fourth fingers of his left hand through focal dystonia and a shoulder injury, violinist Clayton Haslop was determined to continue playing. Here he shares his story
JENS NIELSEN FROST
ALL PHOTOS JONAS BUTHLER LINDBJERG Jens Nielsen Frost
Making a partial plaster cast
A useful restoration method that can be used when a full cast is unnecessary
MY SPACE
A peek into lutherie workshops around the world
Making fingerboards green
MAKING MATTERS
SAINT-SAËNS CELLO CONCERTO NO.1
MASTERCLASS
Ricochet
TECHNIQUE
Reviews
RECORDINGS
Live streaming
CONCERTS
Reviews
BOOKS
From the ARCHIVE
The weights of a Stradivari violin’s plates are revealed for the first time, although modern readers will likely be left none the wiser
NAREK HAKHNAZARYAN
For the Armenian cellist, Tchaikovsky’s Rococo Variations allows for incredible freedom of expression – and even has the ability to heal
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