COPIED
2 mins

In the balance

NEW PRODUCTS

FEATURED PRODUCT

With the recent release of its Perpetual viola strings, German manufacturer Pirastro has completed the range it describes as its most powerful. According to Pirastro’s website, the Perpetual line, also available for violin, cello and double bass, ‘provides a full radiant sound with overwhelming ease… focused projection, vibrant response and instantly reliable tuning stability’. According to technical director Adrian Müller, however, these aims do not equate to a one-size-fits-all approach. ‘Not everything that works for the violin works for the cello, for example; not everything that sounds good on a viola sounds good on a double bass,’ he says. ‘In developing the viola strings, we had in mind a deep, chocolatey sound that could still off er the widest possible range of colours.’

Like the D and G of the Perpetual violin strings, the viola D and G have synthetic cores with silver windings, though their construction has been altered to highlight different characteristics. ‘They stretch a little more, to help improve vibrancy and brilliance,’ says Müller, explaining that the small size of a viola relative to its pitch creates particular difficulties where these are concerned. ‘The C string has a rope core wound with tungsten – a combination designed to improve the playability of a string that can be a little stubborn. We chose a single filament steel core for the A string, with a chrome-steel winding.’

The Perpetual A string is thicker than most, something Müller suggests might also make life easier for the player, as well as create a warmer tone. ‘On a violin, you tend to go from the steel E string to a thicker synthetic A string, and the same is true between the viola’s A and D strings. We wanted to make the sensation of playing each string more alike, helping the player to move more easily between them. The same is true of how each of the four strings feels under the fingers: you wouldn’t know they were made of different things.’

Pirastro Perpetual viola strings from €128

email info@pirastro.com

web www.pirastro.com

CLAMPS

BACK TOGETHER

According to their creator, luthier Christian Schabbon, these aluminium tower clamps have a wide variety of uses in repairing cracks in the body of an instrument. They allow for cleaning glue, and can be used across multiple cracks in the same piece of wood.

Aluminium tower clamps from $100 for two

email christian@schabbon.com

web www.christianschabbon.com

SHOULDER REST

SIGHT AND SOUND

Kun’s popular rest is now available in three eye-catching designs inspired by Chinese art: ‘charming flowers’ ‘delicate peacock feathers’ and ‘sculpted waves’. The Bravo shoulder rest is constructed from layers of hardwood laminate with an alternating grain structure and has non-collapsible brass feet.

Kun Shanghai Series Bravo shoulder rest from £91.50 email kun@kunrest.corn web www.kunrest.com

This article appears in February 2021

Go to Page View
This article appears in...
February 2021
Go to Page View
Editor’s letter
Few string quartets perform as readily with musicians
Contributors
(Charles François Gand, page 32) graduated from the
SOUNDPOST
Letters, emails, online comments
Brave new educational world?
The recent normalisation of virtual learning has raised the profile of subscription-based online instrumental tuition - but it’s still no substitute for one-to-one teaching
NEWS IN BRIEF
Cellist William Bruce awarded ESTA Award biUy/3ryM4JE
OBITUARIES
Israeli violinist Ivry Gitlis died on 24 December at
COMPETITION & AWARD WINNERS
Top prize at the Pablo Casals International Award for
Fighting fire with fire
A project for string quartet, dancers and electronics that responds to the changing world around us
In the balance
Similarities on the outside belie crucial differences within
Life lessons
The US cello soloist and recording artist on following her instinct on a path to true musical fulfilment
THE MORE THE MERRIER
For the Modigliani Quartet, working with other artists has always been a priority – one that continues this year as the group turns its attention to Schubert. Charlotte Gardner speaks to the French foursome about their early development, working through Covid times and acting as artistic directors
DAWN OF PARISIAN SPLENDOUR
A talented luthier and a shrewd businessman, Charles François Gand had a seismic effect on the Paris violin world despite his relatively small output. Florent Boyer presents an in-depth examination of several Gand instruments to show the development of his style
SUBSCRIBERS GET MORE
PRINT + ONLINE SUBSCRIBERS ENJOY
PARALLEL CAREERS
Autumn 2020 was scheduled to be a big one for violinist and conductor Nikolaj Szeps-Znaider, with the start of his first music directorship in France and his conducting debut at the Royal Danish Opera. Did it go to plan? Very nearly, he tells Andrew Mellor
CLOWNING AROUND
For violinist Patricia Kopatchinskaja a bout of tendonitis was the perfect opportunity to widen her musical perspective by taking on the title role in Schoenberg’s Pierrot lunaire, as she tells Toby Deller
BEHIND THE CURVE
The evolution of the bow is inextricably tied up wiThthe needs of the player, and the changing face of society. Paolo Sarri examines the development of the ‘ancient’ and ‘modern’ curves of the bow stick, dispelling a number of myths along the way
THE REMARKABLE REVOLUTIONARY
Too long overlooked, the extraordinary life of 18th-century violinist and composer the Chevalier de Saint-Georges has once more been celebrated over the past 25 years. Yet his compositions remain unfairly neglected, writes Kevin MacDonald
ANTONIO CASINI
A close look at the work of great and unusual makers
Making a pigment grinder
A device that removes the effort from the ffresome business of grinding varnish pigments by hand
MARCUS KLIMKE
LOCATION
Graduation studies
Is it possible to customise the sound and response of a newly built violin, in playing condition, for a specific musician? Ulf Kloo explains how it can be done, wiThthe help of a small wooden pin in the back plate
BACH'S VIOLIN SONATA IN E MAJOR
Early music expert Simon Standage discusses historically informed performance, interpretation and balancing violin and harpsichord in the first two movements of BWV1016
Melodic string-crossings
How to play controlled, smooThand seamless melodic lines
From the ARCHIVE
Queen Victoria’s demise on 22 January prompts a reflection on the number of female violinists in the era she presided over
CAMILLE THOMAS
The Franco-Belgian cellist gave an impassioned premiere performance of Fazil Say’s cello concerto ‘Never Give Up’ in 2018, and has now recorded the piece for Deutsche Grammophon
Looking for back issues?
Browse the Archive >

Previous Article Next Article
February 2021
CONTENTS
Page 19
PAGE VIEW