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Contributors

MICHAEL DARNTON 

(Books, page 93) is co-owner of Darnton & Hersh Fine Violins in Chicago, where he oversees the repair and restoration shop. He has 40 years of experience in the violin business and was trained at Bein & Fushi and William Harris Lee.

GERALD ELIAS 

(Orchestral playing, page 52) is a former violinist with the Boston Symphony and associate concertmaster of the Utah Symphony. He has been music director of the Vivaldi by Candlelight chamber orchestra concerts since 2004 and is the author of many books, among them the Daniel Jacobus murder mystery series.

MATS LIDSTRÖM 

(Technique, page 78) is an international soloist and chamber musician. He is the Leo Stern Fellow of the cello faculty at the Royal Academy of Music and a solo cellist with the Oxford Philharmonic. He is currently working on a piece for cello and orchestra, his tribute to the cellist Lynn Harrell.

NELLY POIDEVIN 

(Making Matters, page 68) has worked as a bow maker for almost 40 years, first in Paris and since 2000 in Dinan, Brittany. Since the late 1980s she has specialised in the reconstruction of historical bows. She regularly gives lectures and writes papers on the history of bows in Europe.

LAURA VAN DER HEIJDEN 

(Opinion, page 21) is an internationally renowned cellist who recently signed an exclusive contract with Chandos Records. She came to prominence as the winner of BBC Young Musician in 2012. Her 2018 debut album 1948, featuring Russian music for cello and piano, won an Edison Klassiek Award.

SISI YE 

(Violin making in China, page 48) is a researcher from the School of Music at South China Normal University, as well as a pianist, chamber musician, and chief executive of the Schoenfeld International String Competition in Harbin, China.

This article appears in March 2021

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This article appears in...
March 2021
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Editor’s letter
ANGELA LYONS I t’s not every day that
Contributors
MICHAEL DARNTON (Books, page 93) is co-owner of
SOUNDPOST
Letters, emails, online comments
Complexity crisis
The Brexit deal has generated many unanswered questions regarding UK–EU touring, which have left UK music bodies scratching their heads. How can musicians negotiate the minefield?
NEWS IN BRIEF
Berlin Philharmonie Berlin Philharmonic plans Shanghai residency bit.ly/3iX2Kw1
OBITUARIES
JOHN GEORGIADIS The British violinist a nd conductor
Telling the truth
An International Women’s Day celebration of a civil rights pioneer
COMPETITIONS
Samuel Abraham Vargas Teixeira MIDORI PHOTO TIMOTHY GREENFIELD-SANDERS.
Harder than ever
Reducing weight with a layer of ‘bullet-proof’ protection
Lifelessons
Two years on from winning the Carl Nielsen International Competition, the 20-year-old Swedish violinist is staying close to his roots
AN INDIVIDUAL VOICE
When Ivry Gitlis died on Christmas Eve last year at the age of 98 there was an outpouring of love and affection from the musical community. Tully Potter pays tribute to the great violinist’s life and career
CHANCE OF A LIFETIME
For Italian violinist Francesca Dego, the opportunity to perform and record on Paganini’s ‘Il Cannone’ Guarneri ‘del Gesù’ of 1743 was a dream come true.  She shares with Tom Stewart her experiences with the rarely accessed instrument – which came complete with security guards and its own dressing room
A FAMILY AFFAIR
In this globalised era, there are still many families that keep up their strong lutherie traditions, with parents passing on their secrets and skills to the next generation. Peter Somerford asks how such formative influences can affect their craft, for better or for worse
A tango phenomenon
In celebration of the 100th anniversary of renowned tango composer Astor Piazzolla’s birth this month, Argentine violinists Rafael Gintoli and Gabriela Olcese pay tribute to him and offer basic guidance to violinists on how to interpret tango music
IN GOOD TIME
The Engegård Quartet’s third album of Mozart string quartets was all about timing – from allowing enough space between learning and recording the works, to faithfully honouring the composer’s tempo markings – as Andrew Mellor discovers
THE ENTERPRISE SYSTEM
China has become a world leader in stringed instrument making, based on a system of bulk production combined with respect for craftsmanship. Sisi Ye speaks to the heads of manufacturing firms in Pinggu, Queshan and Huangqiao to learn more
HIDDEN IN PLAIN SIGHT
Gerald Elias has spent many years as a professional orchestral violinist – in the Boston SO and Utah Symphony – and has been music director of Salt Lake City’s Vivaldi by Candlelight chamber orchestra since 2004. Here he explores some of the universal challenges faced by orchestral string players which go unrecognised by audiences
GEORGE CRASKE
A close look at the work of great and unusual makers
Carving the neck on a viola da gamba
Makers reveal their special techniques
SAULO DANTAS-BARRETO
A peek into lutherie workshops around the world
Secrets of the sticks
Points of interest to violin and bow makers
BACH’S E MAJOR VIOLIN SONATA
British violinist Simon Standage looks at the Adagio ma non tanto and ‘firework’ finale, in the second of two articles exploring this 18th-century work for violin and harpsichord
Cello warm-ups: the bow arm
How to prepare the whole body for efficient, time-saving repertoire practice
CONCERTS
THIS MONTH’S RECOMMENDED RECORDINGS Our pick
RECORDINGS
BEETHOVEN Cello Sonatas op.5; Variations on ‘Bei Männern,
BOOKS
The Roaring Brook Fiddler: Creative Life on the
From the ARCHIVE
FROM THE STRAD  MARCH  1941  VOL.51 NO.611
AMIT PELED
Bloch’s Prayer was the Israeli–American cellist’s entry to understanding Jewish music – and in fact provides a perfect example of ‘the Jewish sonata form’
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March 2021
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