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NEWS IN BRIEF

New foundation aims to raise knowledge of Dutch violin makers bit.ly/2NRbcSd A foundation has been set up in The Netherlands to research the lives and careers of Dutch instrument makers from 1650 onwards. The Hendrik Jacobs Foundation is named after the Amsterdam luthier (c.1629–1704) regarded as the greatest name in Dutch violin making history. The founders already claim to have found ‘new information about every relevant Dutch historical violin maker’.

End for the UK’s Endellion Quartet bit.ly/2Mz670u

On 8 February the players of the Endellion Q uartet (left) announced t heir immediate disbandment. Violinists Andrew Watkinson and Ralph de Souza, violist Garfield Jackson and cellist David Waterman originally announced that the 2019–20 season would be their last, but those concerts were cancelled because of the pandemic. In its lifetime, the quartet appeared at nearly all the major UK series and festivals, and broadcast many times on BBC radio and television.

Russian mother in court over son’s violin playing bit.ly/3bPcju2

A nine-year-old boy’s violin playing is at the centre of a court case in Russia, where neighbours claim it breaks local noise pollution laws. ‘I don’t deny that we play a lot, but it’s always within the rules,’ the boy’s mother told news website 74.ru. ‘As soon as my son picks up his violin, our neighbours call the police. We’ve been told that other residents have also complained, and that this is evidence we’re breaking the law.’

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This article appears in April 2021

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April 2021
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Editor’s letter
ANGELA LYONS Most musicians experience periods of self-doubt.
Contributors
JOSEF P. GABRIEL (Ludwig Bausch, page 32) first apprenticed
SOUNDPOST
Letters, emails, online comments
Crossing the streams
Live streaming has become one of the main – and in some cases the only – outlet for musicians to perform during the pandemic. But how viable is it as a profit-making enterprise?
NEWS IN BRIEF
New foundation aims to raise knowledge of Dutch
OBITUARIES
WOLFGANG BOETTCHER Wolfgang Boettcher, a principal cellist of
Shifting shapes
PREMIERE of the MONTH
COMPETITIONS
1 Sterling Elliott BAK PHOTO DARIO ACOSTA. HALL-TOMPKINS PHOTO
Dominant gene
VIOLIN STRINGS
Lifelessons
Hideko Udagawa
HIS OWN PATH
At the age of 40, German–American violinist David Garrett is a bona fide crossover star, in non-Covid times playing regularly to thousands at sold-out arena shows. But, as he tells Charlotte Smith, he has no intention of deserting his classical roots
GONE… BUT NOT FORGOTTEN
Respected during his lifetime, Ludwig Bausch was almost unknown just a few years after his death – and his bows were considered unremarkable junk. Josef P. Gabriel reveals why the maker and his family were almost lost to history, and why his work deserves to be listed among the greats
SHINING A LIGHT
Polish virtuoso Janusz Wawrowski’s new arrangement of Ludomir Różycki’s Violin Concerto reveals a far more optimistic work than its wartime origins suggest, writes Harry White
SONG OF THE GUT STRING MAKERS
In 1877, Markneukirchen in Germany was at the heart of the world’s string making industry. The townsfolk were so proud, they even composed a drinking song all about it. Kai Köpp explains what the lyrics (translated into English for the first time) reveal about this convoluted process
Musical DOUBLES
Though unrelated by birth, US violinists Eudice Shapiro and Frances Shapiro (later Magnes) forged parallel careers which provide a fascinating insight into the lives of female musicians during the mid-20th century, writes Tully Potter
A sound balance
Producing a nuanced, well-balanced and blended combination of piano and strings can be a difficult performance feat to achieve. Pauline Harding talks to chamber musicians, soloists and teachers to discover some of their secrets
PIETRO GALLINOTTI
Lutherie
Reinforcing a cello bridge
Lutherie
MY SPACE
Lutherie
The height of perfection
Points of interest to violin and bow makers
BEETHOVEN STRING QUARTET OP.59 NO.1
Swedish violist Emilie Hörnlund, of the Chiaroscuro Quartet, discusses how to achieve optimal articulation, balance and flow in the first movement of the first ‘Rasumovsky’ Quartet
Cello warm-ups: the left hand
Teaching & Playing
Reviews
Your monthly critical round-up of performances, recordings and publications
From the ARCHIVE
FROM THE STRAD  1991  APRIL VOL 102 NO.1212
IN THE NEXT ISSUE
Julian Lloyd Webber The British cellist
DANIEL HOPE
Schnittke’s First Violin Sonata was the Irish–German violinist’s introduction to the composer’s work – as well as the perfect opening to meet the composer himself
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