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NEW PRODUCTS

Pure and simple

A user-friendly tuning website for stringed instruments

Ease of use is at the core of American software developer Max Longton’s new tuning website Tune Anything. ‘When we take out our instruments to play, tuning is the first thing we do,’ he says, ‘so the tuner we use shouldn’t be complicated or difficult to use.’ Longton has dedicated separate pages to instruments including violin, viola, cello and double bass, each embedded with tuning buttons that correspond to the instruments’ different strings. When users click each button, the pitch plays, giving them a reference to tune the instrument. They can also adjust the tone’s volume.

Rather than relying on looped recordings of acoustic instruments, which can fluctuate in pitch, Longton has programmed synthesised tones to play at the notes’ exact frequencies. This, he says, achieves a tone that is ‘continuous, pure and clean’. He has also made different tunings available for the violin, including for Baroque instruments (A=415Hz). The violin and cello pages include tuning guides as well as answers to frequently asked questions about how to tune the instrument. Visitors to the website can continue tuning while they read the text, as the tone keeps playing as they scroll down the page.

Longton invites requests for new tuning pages for different instruments and will make these available for free. ‘I’m always updating the website using the latest coding languages, whether that’s to make it mobile-optimised or display a better interface,’ he explains. The website does not require visitors to register their details, but it uses cookies to remember their most recent settings so that everything will be set up and ready for subsequent visits. It can be accessed on smartphone and computer, and Longton is working to produce an app version of the tuner in the future.

Tune Anything free email web max@tuneanything.comwww.tuneanything.com

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This article appears in August 2021

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This article appears in...
August 2021
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Editor’s letter
ANGELA LYONS For most musicians, living through the
SOUNDPOST
Letters, emails, online comments
On the beat
News and events from around the world this month
NEWS IN BRIEF
Julian Lloyd Webber hits out at post- Brexit
A kind of magic
The powers of alchemy form the basis of a new string quartet
NEW PRODUCTS
Pure and simple A user-friendly tuning website for
Life lessons
The acclaimed solo and chamber bassist stresses the importance of self-reliance and self-discipline in building a meaningful career and life
A SUNNY DISPOSITION
In the past few years, US violinist Esther Yoo has seen her career blossom as a soloist and chamber player. And despite the pandemic, she has seized every opportunity to grow as a musician, as she tells
ADJUSTMENT TO CHANGE
The method of connecting an instrument’s neck to its body has undergone seismic changes since the Baroque era. Joseph Curtin analyses the ancient and modern procedures, and examines the benefits offered by fixing an adjustable neck
LORD OF THE DANCE
Three centuries ago, Bach had completed his set of six Sonatas and Partitas for solo violin. In the second of two articles, Lewis Kaplan, senior member of the Juilliard School faculty, discusses interpretation of the three partitas – with reference to Bach’s autograph score
An enduring legacy
Like their close contemporaries the Knopfs, the Herrmann family of bow makers left behind a large number of bows, many of which show exquisite craftsmanship. In the second of two articles, Gennady Filimonov examines their history, their connections with the Knopfs, and several examples of their work
WEATHERING THE STORM
Violinist Karen Gomyo’s new album, dedicated to Astor Piazzolla and recorded during the Covid-19 pandemic, was a profound and personal project for all involved, writes Rita Fernandes
PORTRAIT OF A LADY HOLDING A VIOLIN
Taking a Regency portrait of an unknown violinist as his starting point, Kevin MacDonald investigates the lives and careers of Louise Gautherot and other female violinists of Georgian England
AHEAD OF THE CURVE
Recording the archings of instruments is one of the most difficult areas of violin making and restoration. Charline Dequincey describes a method using dental compound which is accessible to anyone, and gives high-quality results
IN FOCUS
GIROLAMO AMATI II
TRADE SECRETS
Making a martelé button
MY SPACE
LUTHIER GERTRUD REUTER
MAKING MATTERS
Something in the air
MASTERCLASS
BRAHMS VIOLA SONATA OP.120 NO.1
TECHNIQUE
Playing with expression
CONCERTS
Live streams: US
RECORDINGS
HOMAGE TO BACH BACH Solo Violin Sonatas: in
BOOKS
Monograph of the Antonio Stradivari Cello c.1690 ‘Barjansky’ Ed.
VIKTORIA MULLOVA
The Sibelius Violin Concerto played a pivotal part in the Soviet-born violinist’s life – even though it was unknown to her until the age of 18
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