COPIED
2 mins

COMPETITIONS

Kebra-Seyoun Charles
Isobel Warmelink
Charlotte Spruit
CHARLES PHOTO SHALEAH FEINSTEIN. WARMELINK PHOTO FOPPE SCHUT. SPRUIT PHOTO MARCO BORGGREVE

US double bassist Kebra-Seyoun Charles, 24, has won the Sphinx Competition’s senior division. The prize comes with $50,000 and concert engagements. Charles is a graduate of the New England Conservatory and currently studies at the Juilliard School. Second place ($20,000) went to Venezuelan violinist Gabriela Lara, 21, while US violist Harper Randolph, 25, came third ($10,000) and also received the audience prize ($5,000).

Violinist Isobel Warmelink, 25, has won the €12,000 Oskar Back Prize for 18–25-year-olds at the Netherlands Violin Competition for Dutch violinists. Warmelink is a graduate of the Royal Conservatoire in The Hague. Emma Roijackers, 26, took the €6,000 second prize as well as the audience prize, while third prize and €4,000 went to Iris van Nualan, 19. The €3,000 Davina van Wely prize for 14–17-year-olds was awarded to Joshua Tavenier, 16.

Dutch violinist Charlotte Spruit and French artist Jérémie Queyras won first prize at the Goodmesh Concours. Their work Echoes from the Future, which consisted of Spruit playing music by Telemann and György Kurtág while Queyras painted, won them €1,500, an album recording, performance opportunities and a professional video recording and photoshoot.

Luthiers Mira Gruszow and Gideon Baumblatt from the Gruszow & Baumblatt atelier in Havel, Germany, have won the inaugural Philharmonie de Paris International Instrument Making Competition in Paris. The competition celebrates excellence in the field and promotes emerging talent. Second prize went to Alexandre Beaussart from Vincennes, France, while third prize was awarded to Stefano Gibertoni and Valerio Nalin from Milan, Italy.

APPOINTMENTS

• Hungarian cellist Temesvári Bence, 22, has been named the Vienna Symphony’s assistant principal cello

• British violinist and educator Alex Laing has been appointed director of music at Wells Cathedral School, UK

• US violinist Emily Daggett Smith has been announced as the Vega Quartet’s first violinist

• The Curtis Institute of Music in Philadelphia, PA, US, has appointed American violinists Benjamin Beilman and Erin Keefe to the violin faculty

FORTHCOMING COMPETITIONS & AWARDS

International Fritz Kreisler Violin Competition in Vienna, Austria, for violinists aged 30 or under. First prize €20,000 Deadline 30 April; competition 17–25 September Web fritzkreisler.com

Zhuhai International Mozart Competition in Zhuhai, China, for violinists aged 24 or under. First prize $30,000

Deadline 30 April; competition 13–25 September Web bit.ly/3q3AT38

International Violin Competition ‘Rodolfo Lipizer Prize’ in Gorizia, Italy, for violinists aged 32 or under. First prize €15,000 Deadline 30 April; competition 2–11 September Web lipizer.it/concorso

For current vacancies, see our online jobs page at www.thestrad.com/jobs

This article appears in March 2022

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This article appears in...
March 2022
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Editor's letter
The road to Leonidas Kavakos’s first complete
Contributors
LIHAY BENDAYAN (Technique, page 78) is professor of
SOUNDPOST
Letters, emails, online comments
Food for thought
News and events from around the world this month
NEWS IN BRIEF
Competition launched to loan Lynn Harrell’s old cello
OBITUARIES
ROGER TAPPING British violist Roger Tapping died on
Labour of love
Danny Elfman talks about his new cello concerto
COMPETITIONS
Sphinx Competition, Goodmesh Concours etc
Pretty in red
ROSIN
TRUE COLOURS
Luthiers can use Schilbach’s new Metamerism test card
HOLD ON
Including the Product of the Month
Life lessons
Franck Chevalier
A learned crowd
The Cambridge Music Festival marked its 30th anniversary in the unusual format of two instalments during 2021. Toby Deller attended three performances during the autumn celebrations
DEEP THINKER
For Leonidas Kavakos, recording Bach’s Solo Sonatas and Partitas has been the culmination of a 30‐year artistic journey and, as the violinist tells Charlotte Smith, the works have a pertinent message for our troubled times
THE LEADING EDGE
For those ensembles willing to take the plunge, performing without a conductor can lead to a greater sense of collaboration, fulfilment and, ultimately, responsibility. Jacqueline Vanasse hears from some of the string players involved in such groups
THE JOURNEYMAN YEARS
The time spent between finishing at violin making school and striking out on your own can be critical to a luthier’s learning experience. Peter Somerford finds out what makers should expect from their first jobs in a workshop – and how they can make the most of their time
LANDSCAPE OF SHADOWS
Cellist Laura van der Heijden talks to Tom Stewart about the subtle, often other-worldly atmosphere inhabited by Czech and Hungarian music in her new recording with pianist Jâms Coleman
A MAKER IN THE ROUGH
Tuscany in the 19th century was home to numerous luthiers, some of whom were carpenters who turned their hands to instrument making. Florian Leonhard examines the career of Luigi Cavallini, a lesser-known self-taught maker whose work, while unusual in parts, displays a surprisingly high level of craftsmanship
FROM FAME to FOOTNOTE
Despite his prolific output, the works of British composer Samuel Coleridge-Taylor have been performed relatively infrequently in the century following his death. Tatjana Goldberg explores his chamber and violin music, particularly the Violin Concerto, and his fruitful artistic partnership with pioneering US violinist Maud Powell
NIELS LARSEN WINTHER
A close look at the work of great and unusual makers
Making a Parisian-eye ring
Makers reveal their special techniques
MAGNUS NEDREGÅRD
LUTHIER MAGNUS NEDREGÅRD
Her dark materials
Points of interest to violin and bow makers
BEETHOVEN STRING QUARTET OP.132
BEETHOVEN STRING QUARTET OP.132
MASTERCLASS
I wouldn’t usually include all the fingerings I
Developing a controlled vibrato
Developing a controlled vibrato
CONCERTS
Your monthly critical round-up of performances, recordings and publications
RECORDINGS
SEI SOLO BACH Sonatas and Partitas for solo
BOOKS
COURTESY DAVID L. FULTON The Fulton Collection: A
From the ARCHIVE
Carl Fuchs pays tribute to his friend and fellow cellist Carl Davidoff (1838–89), including a reminiscence of how he acquired his famed Stradivari cello
IN THE NEXT ISSUE
GERMAN FOCUS Johannes Moser The German–Canadian cellist
JENNIFER PIKE
For the British violinist, Szymanowski’s Violin Sonata in D minor brings back fond memories of old holidays, family reunions and a three-concert marathon in 2017
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