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Editor's letter

As the new academic year and the first hints of autumn both roll into view, we focus our attention on education in this issue of The Strad.

This September will herald the first year that schools and colleges will largely return to normal teaching practices since the start of the pandemic. While Covid-19 still has an ongoing impact on education systems around the world, there are some positives that have come out of the past two and a half years. One of these is the almost exponential development and uptake of technology used for remote teaching.

Our cover star, the great violinist, violist and teacher Pinchas Zukerman, was one of the earliest advocates for long-distance learning, even as far back as the 1990s, and on page 30 Pauline Harding travels to Texas to speak to the great man about his remarkable life and career, and observe his insightful and inspirational teaching methods.

For a completely different definition of ‘remote learning’, we travel to regional Western Australia to examine the challenges faced by string teachers in this vast, wealthy, yet sparsely populated state. How do passionate local practitioners bring music into the towns and settlements and to the young people who would benefit the most? Rita Fernandes finds out on page 50.

On page 40, Peter Somerford looks at the increasing variety of international instrument making courses available to those wanting to start out on a career in lutherie, and the importance of making the right choices – not just where to study, but also whether the course content on offer is the right fit for the student luthier’s aspirations and expectations.

And on page 48 we celebrate 50 years of a British lutherie institution – the Newark School of Violin Making. Along with our regular playing features – Technique and Masterclass – there is plenty to inform, educate and entertain this issue.

Email me at thestrad@thestrad.com or tweet @TheStradMag

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Cover photo Paul Colliton

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This article appears in September 2022

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This article appears in...
September 2022
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Editor's letter
As the new academic year and the first
Contributors
FANY BOUREL (Trade Secrets, page 80) is a
SOUNDPOST
Letters, emails, online comments
On the beat
‘It’s not about transforming your school overnight; this is going to take time’ – Bridget Whyte, chief executive, Music Mark
NEWS IN BRIEF
‘Hellier’ Stradivari violin fails to sell at auction
OBITUARIES
ALICE HARNONCOURT Baroque violinist Alice Harnoncourt died on
PREMIERE of the MONTH
Against the current
COMPETITIONS
Thomas Mesa Rino Yoshimoto Javus Quartet MESA
NEW PRODUCTS
CHIN AND SHOULDER REST All in one A
Life lessons
The co-leader of the London Symphony Orchestra on growing up in a musical family in Malta and the importance of keeping one’s individuality
Building a beautiful balance
Charlotte Gardner reports from a newly reinvigorated and audience-friendly Vibre! Bordeaux festival and International String Quartet Competition
Northern exposure
Kare Eskola reports from the Finnish capital on 2022’s emotionally charged International Jean Sibelius Violin Competition, the first to take place for seven years
A MATTER OF TIME
Pauline Harding visits Dallas, Texas, to chat with violinist– violist Pinchas Zukerman about his illustrious past, a new masterclass series at Meadows School of the Arts, and his hopes for the future of technology in string teaching
ALL ROUND LEARNING
The international landscape for teaching lutherie has changed in recent years, with new institutions starting up and younger tutors coming in. Peter Somerford speaks to teachers from seven violin making schools to find out the options for young aspiring luthiers
FIFTY YEARS YOUNG
September 2022 marks the 50th anniversary of the UK’s Newark School of Violin Making. Originally based at the Mount School, it moved to the heart of the town in 1977. The school’s young graduates quickly found work in the country’s leading violin shops, bringing the institution a reputation for high-quality craftsmanship. Here we look back at some of the landmark events in the Newark School’s history
SITTING ON A GOLD MINE
In exploring the past and present of string teaching in regional Western Australia, Rita Fernandes finds examples of both progress and regression, all pointing to the fact that where there is opportunity, there is demand and potential
REDISCOVERED GEMS
Harry White speaks to Carmen Flores and Katie Stillman of the Villiers Quartet about recording rare repertoire by a pair of British maverick geniuses – Ethel Smyth and Frederick Delius
HIDDEN TREASURES
Pietro Guarneri of Mantua was an undisputed master luthier, even though very few examples of his work remain. Andrea Zanrè examines three ‘violettas’ that until now have been overlooked
A LEGACY REGAINED
Russian violist and pedagogue Yuri Kramarov was one of the most important Soviet-era musicians. Misha Galaganov explores his life, career and teaching methods
JACINT PINTO
ALL PHOTOS JORDI PINTO Lutherie A close look
Gluing the C-bouts using a Cremonese mould
An alternative method for this part of the process, which may be more authentic than the standard procedure
MECHTHILD OSSENBRUNNER
LOCATION Cologne, Germany
Straight talking
Andrew Ryan investigates a phenomenon in the instruments of Stradivari and Guarneri ‘del Gesù’: the presence of regular straight lines within the arches of the top and back
HUMMEL SONATA OP.5 NO.3 FOR PIANO AND VIOLA
Violist Tabea Zimmermann offers her advice on how to practise this playful, virtuosic work
Teaching collé
How to work on this short, articulated bow stroke to improve students’ overall bow control and sound
New York
THIS MONTH’S RECOMMENDED RECORDINGS Our pick of the
RECORDINGS
HOMMAGE À J.S.B. BACH Partita no.2 BWV1004 AUERBACH
From the ARCHIVE
Author and expert Towry Piper condemns a recent blind-testing experiment for old and new violins, giving his own opinion on why such endeavours are doomed to failure
IN THE NEXT ISSUE
The Dutch double bassist talks about his most
JACK LIEBECK
Prokofiev’s First Violin Concerto provided some early inspiration for the British violinist – as well as a crash course in some fast, efficient playing
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