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Contributors

FANY BOUREL

(Trade Secrets, page 80) is a luthier based in Chemillé-en-Anjou, near Angers, France. She graduated from the Newark School of Violin Making in 2002 and was for many years the assistant of François Denis in Paris.

JORDI PINTO

(In Focus, page 77) is the current director of the Casa Parramon workshop, founded in Barcelona in 1897. His major passion is the study and investigation of Catalan and Spanish violin makers from the 18th century to the present day.

MISHA GALAGANOV

(Yuri Kramarov, page 70) is professor of viola and chair of strings at Texas Christian University in Fort Worth, TX, US. In addition to teaching, performing, and writing reviews and articles, he coordinates several string and chamber music programmes and serves on the board of the American Viola Society.

ANDREW RYAN

(Making Matters, page 86) is an American violin maker whose work displays his comprehensive knowledge of the Cremonese tradition, his musical experiences as a violinist, and the practical application of his research into violin acoustics.

MARK PEMBERTON

(Books, page 117) is director of the Association of British Orchestras (ABO), which exists to champion, connect and develop professional orchestras across the UK. He is chair of the National Music Council, which exists to promote the interests of the music sector as a whole.

MARCOS SANTOS

(Technique, page 96) is an educator specialising in psychopedagogy. He graduated from the Instituto de Ensino Superior de Bauru, Brazil, and obtained a doctorate in violin performance from the University of Alabama. He is a professor of violin at the University of São Paulo.

This article appears in September 2022

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September 2022
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Editor's letter
As the new academic year and the first
Contributors
FANY BOUREL (Trade Secrets, page 80) is a
SOUNDPOST
Letters, emails, online comments
On the beat
‘It’s not about transforming your school overnight; this is going to take time’ – Bridget Whyte, chief executive, Music Mark
NEWS IN BRIEF
‘Hellier’ Stradivari violin fails to sell at auction
OBITUARIES
ALICE HARNONCOURT Baroque violinist Alice Harnoncourt died on
PREMIERE of the MONTH
Against the current
COMPETITIONS
Thomas Mesa Rino Yoshimoto Javus Quartet MESA
NEW PRODUCTS
CHIN AND SHOULDER REST All in one A
Life lessons
The co-leader of the London Symphony Orchestra on growing up in a musical family in Malta and the importance of keeping one’s individuality
Building a beautiful balance
Charlotte Gardner reports from a newly reinvigorated and audience-friendly Vibre! Bordeaux festival and International String Quartet Competition
Northern exposure
Kare Eskola reports from the Finnish capital on 2022’s emotionally charged International Jean Sibelius Violin Competition, the first to take place for seven years
A MATTER OF TIME
Pauline Harding visits Dallas, Texas, to chat with violinist– violist Pinchas Zukerman about his illustrious past, a new masterclass series at Meadows School of the Arts, and his hopes for the future of technology in string teaching
ALL ROUND LEARNING
The international landscape for teaching lutherie has changed in recent years, with new institutions starting up and younger tutors coming in. Peter Somerford speaks to teachers from seven violin making schools to find out the options for young aspiring luthiers
FIFTY YEARS YOUNG
September 2022 marks the 50th anniversary of the UK’s Newark School of Violin Making. Originally based at the Mount School, it moved to the heart of the town in 1977. The school’s young graduates quickly found work in the country’s leading violin shops, bringing the institution a reputation for high-quality craftsmanship. Here we look back at some of the landmark events in the Newark School’s history
SITTING ON A GOLD MINE
In exploring the past and present of string teaching in regional Western Australia, Rita Fernandes finds examples of both progress and regression, all pointing to the fact that where there is opportunity, there is demand and potential
REDISCOVERED GEMS
Harry White speaks to Carmen Flores and Katie Stillman of the Villiers Quartet about recording rare repertoire by a pair of British maverick geniuses – Ethel Smyth and Frederick Delius
HIDDEN TREASURES
Pietro Guarneri of Mantua was an undisputed master luthier, even though very few examples of his work remain. Andrea Zanrè examines three ‘violettas’ that until now have been overlooked
A LEGACY REGAINED
Russian violist and pedagogue Yuri Kramarov was one of the most important Soviet-era musicians. Misha Galaganov explores his life, career and teaching methods
JACINT PINTO
ALL PHOTOS JORDI PINTO Lutherie A close look
Gluing the C-bouts using a Cremonese mould
An alternative method for this part of the process, which may be more authentic than the standard procedure
MECHTHILD OSSENBRUNNER
LOCATION Cologne, Germany
Straight talking
Andrew Ryan investigates a phenomenon in the instruments of Stradivari and Guarneri ‘del Gesù’: the presence of regular straight lines within the arches of the top and back
HUMMEL SONATA OP.5 NO.3 FOR PIANO AND VIOLA
Violist Tabea Zimmermann offers her advice on how to practise this playful, virtuosic work
Teaching collé
How to work on this short, articulated bow stroke to improve students’ overall bow control and sound
New York
THIS MONTH’S RECOMMENDED RECORDINGS Our pick of the
RECORDINGS
HOMMAGE À J.S.B. BACH Partita no.2 BWV1004 AUERBACH
From the ARCHIVE
Author and expert Towry Piper condemns a recent blind-testing experiment for old and new violins, giving his own opinion on why such endeavours are doomed to failure
IN THE NEXT ISSUE
The Dutch double bassist talks about his most
JACK LIEBECK
Prokofiev’s First Violin Concerto provided some early inspiration for the British violinist – as well as a crash course in some fast, efficient playing
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