COPIED
1 mins

Make no move

A device built to prevent bridge movement and damage

Florence-based luthiers Paolo Sorgentone and Michele Mecatti have released their ‘Blocketto’ device for cello. With the help of restorer Roberto Salvadori, they originally designed the product in 2021 for violin, although work on a cello version followed soon after because the instrument often has ‘more problems with bridge stability’, according to Mecatti. The device is designed to secure the bridge while tuning and changing strings, and to prevent it from falling. To use it, the player slots the bridge into a resin block, and screws an adjustable slider to the end of the fingerboard. The product is to be used whenever the instrument is being tuned, or when it is not being played.

Mecatti says that once the Blocketto is in place there are several benefits. First, it creates stability when tuning and changing strings. The change and loss of tension involved in unwinding strings can often move the bridge or risk it falling entirely, he explains. This will especially help beginners afraid of changing strings, as it will enable them to build confidence in doing so. He says that the instrument can still be tuned with the Blocketto in place, albeit with a slightly muted sound, but the device should be removed when playing normally. Once the Blocketto is removed, slight tuning adjustments may still need to be made.

FEATURED PRODUCT

Mecatti says that the Blocketto also protects the bridge from deformation over time, which can lead to the bridge falling or having to be replaced. It is also designed to avoid long-term damage to the body by distributing some of the string’s tension to the Blocketto. ‘We are proud of having realised the very first solution to solve musicians’ problems with bridge stability,’ Mecatti says. ‘It will simplify the musician’s life.’

Sorgentone and Mecatti Blocketto for cello €60

email info@sorgentonemecatti.com

web www.sorgentonemecatti.com

This article appears in December 2022

Go to Page View
This article appears in...
December 2022
Go to Page View
Editorís letter
‘How do you get to Bayreuth? Practise.’ It’s
Contributors
MICHAELDADDONA (Trade Secrets, page 60) is an award-winning
SOUNDPOST
Letters, emails, online comments
On the beat
A safe space for musicians?
Make no move
CELLO BRIDGE STABILISER
Life lessons
Vesko Eschkenazy
A Cantabrian encounter
Tim Homfray travels to the northern coast of Spain to experience a unique gathering of young chamber players and master musicians
The start of something BIG
The 1693 ‘Harrison’ violin represents a perfect example of Antonio Stradivari’s ‘Long Pattern’. Andrew Dipper shows how it signifies the start of a critical phase in the master luthier’s career
THE MAN WITH THE BLUE VIOLIN
Czech violinist Pavel Šporcl is a superstar in his own country but something of a well-kept secret elsewhere. He speaks to Amanda Holloway about his varied career, his world premiere recording of countryman Jan Kubelík’s First Concerto, and his unusual instrument
BAYREUTH DREAMS
In the summer of 2022, violinist Thomas Eisner fulfilled a long-held aspiration to play in the orchestra of the Bayreuth Festival. He recounts his experience
FASHIONABLY LATE
To mark the 275th anniversary of François Xavier Tourte’s birth, Paul Childs compares and contrasts two very late violin bows by the master bow maker
ALWAYS THE BEST OF FRIENDS
Spanish cellist Pablo Ferrández talks to Peter Quantrill about making a joint album of Brahms and Clara Schumann with superstar violinist Anne-Sophie Mutter, and the challenges of recording it both live and in the studio
LOCAL HERO
David Kettle examines the history of the 18th-century Polish–Lithuanian immigrant Felix Yaniewicz: a resourceful violin virtuoso, composer and impresario who co-founded the first Edinburgh Music Festival in 1815
ROBERT DUNCAN
IN FOCUS
Fitting a bridge to a violin belly
TRADESECRETS
STEVE BURNETT
MY SPACE
Sound ideas
MAKING MATTERS
HUMMEL POTPOURRI FOR VIOLA AND PIANO
MASTERCLASS
Pushing the boundaries
TECHNIQUE
Reviews
Yourmonthly critical round-up of performances, recordings and publications
FEATURES INDEX 2022
From the ARCHIVE
FROM THE STRAD DECEMBER 1902 VOL.13 NO.152
PHILIPPE QUINT
The Russian-born American violinist had never bothered with violin sonatas before César Franck’s masterpiece opened his eyes to the vast possibilities of Romantic repertoire
Looking for back issues?
Browse the Archive >

Previous Article Next Article
December 2022
CONTENTS
Page 19
PAGE VIEW