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Contributors

MICHAELDADDONA

(Trade Secrets, page 60) is an award-winning violin maker and co-founder of Temple Violins in Hudson, NY, US. He also teaches varnishing at the University of New Hampshire’s summer Violin Craftsmanship Institute.

THOMAS EISNER

(A violinist in Bayreuth, page 40) is a violinist born in Buxton, Derbyshire. His first job was with the Aarhus Symphony Orchestra in Denmark, and since 1986 he has been a member of the first violin section of the London Philharmonic Orchestra.

JENS ROSSBACH

(Making Matters, page 66) is a German violinist and violist and instrumental teacher who lives and works in France. In a team with his brother Arne and master violin maker Martin Horvat, he offers set-ups mainly in Vienna.

HELENA RUINARD

(Masterclass, page 68) performs as a violinist with chamber orchestras in London and the north of England and holds a teaching position with In Harmony Opera North. She regularly contributes to British music industry publications such as Classical Music, Music Teacher and The Musician.

DAPHNA SADEH-NEU

(Technique, page 76) is an Israeli-born double bassist and composer now based in the UK. She studied at the Manhattan School of Music in New York before joining the Israeli-based East-West Ensemble. She was later the co-leader of the all-female group Eve’s Women.

JIM WOODHOUSE

(Books, page 90) has worked in the Cambridge University engineering department since 1986, as a lecturer, then reader, then professor, and now emeritus professor. His interests are in the modelling, measurement and prediction of vibration in complex structures, including musical instruments.

This article appears in December 2022

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December 2022
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Editorís letter
‘How do you get to Bayreuth? Practise.’ It’s
Contributors
MICHAELDADDONA (Trade Secrets, page 60) is an award-winning
SOUNDPOST
Letters, emails, online comments
On the beat
A safe space for musicians?
Make no move
CELLO BRIDGE STABILISER
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Vesko Eschkenazy
A Cantabrian encounter
Tim Homfray travels to the northern coast of Spain to experience a unique gathering of young chamber players and master musicians
The start of something BIG
The 1693 ‘Harrison’ violin represents a perfect example of Antonio Stradivari’s ‘Long Pattern’. Andrew Dipper shows how it signifies the start of a critical phase in the master luthier’s career
THE MAN WITH THE BLUE VIOLIN
Czech violinist Pavel Šporcl is a superstar in his own country but something of a well-kept secret elsewhere. He speaks to Amanda Holloway about his varied career, his world premiere recording of countryman Jan Kubelík’s First Concerto, and his unusual instrument
BAYREUTH DREAMS
In the summer of 2022, violinist Thomas Eisner fulfilled a long-held aspiration to play in the orchestra of the Bayreuth Festival. He recounts his experience
FASHIONABLY LATE
To mark the 275th anniversary of François Xavier Tourte’s birth, Paul Childs compares and contrasts two very late violin bows by the master bow maker
ALWAYS THE BEST OF FRIENDS
Spanish cellist Pablo Ferrández talks to Peter Quantrill about making a joint album of Brahms and Clara Schumann with superstar violinist Anne-Sophie Mutter, and the challenges of recording it both live and in the studio
LOCAL HERO
David Kettle examines the history of the 18th-century Polish–Lithuanian immigrant Felix Yaniewicz: a resourceful violin virtuoso, composer and impresario who co-founded the first Edinburgh Music Festival in 1815
ROBERT DUNCAN
IN FOCUS
Fitting a bridge to a violin belly
TRADESECRETS
STEVE BURNETT
MY SPACE
Sound ideas
MAKING MATTERS
HUMMEL POTPOURRI FOR VIOLA AND PIANO
MASTERCLASS
Pushing the boundaries
TECHNIQUE
Reviews
Yourmonthly critical round-up of performances, recordings and publications
FEATURES INDEX 2022
From the ARCHIVE
FROM THE STRAD DECEMBER 1902 VOL.13 NO.152
PHILIPPE QUINT
The Russian-born American violinist had never bothered with violin sonatas before César Franck’s masterpiece opened his eyes to the vast possibilities of Romantic repertoire
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