COPIED
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CHECKLIST

Questions to help you find the right course and to prepare you for life as a student

MANAGE YOUR OWN EXPECTATIONS

• What are your goals?

• What opportunities will you want to pursue after your degree? Many people assume that all courses are equal and do not consider this important issue. Take advice where it is offered and discuss options with your teacher.

GET INFORMED

• What type of institution would you prefer — a college, conservatoire or university?

• Would you get more from a specialist music institution or a university with a broader curriculum?

• Are the right balance of specialities provided? Every institution offers its own collection of study paths. Some will allow you to concentrate on one specific area, such as performance or composition, and others will allow you to balance several.

• What qualification do you want? Check also that you have the right qualifications for entry.

• Who would you like to study with?

• Where would you like to study? Research the area: investigate the local music scene, check accommodation and travel options, and ensure that your course is conducted in a language you understand!

• Are there any open days that you can attend?

• When is the deadline for applications?

A string rehearsal at Yale School of Music (see page 43)
COURTESYYALE SCHOOL OF MUSIC

• When are the auditions?

• What are the audition requirements? Check the repertoire options.

• What are the language requirements?

PREPARE YOURSELF FOR STUDY

• Do you need a visa? Many countries require travel documents to be valid for a year after the end of a course.

• Are any grants, bursaries or scholarships available? Check for possible government funding, options within the institution, and private funding bodies.

• Can you support yourself? Plan your finances ahead, especially if you will be using an unfamiliar currency.

• If studying abroad, do you need to register with a new bank?

• Do you need to register with a doctor and dentist?

• Does your place of study require you to register with the police, or with your embassy?

• Will your place of study help you to find accommodation?

This article appears in May 2023 and Degrees 2023-24 supplement

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This article appears in...
May 2023 and Degrees 2023-24 supplement
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Editor’s letter
One of the marks of a great player
Contributors
SEAN BISHOP (In Focus, page 61) is a
SOUNDPOST
Letters, emails, online comments
Rise and shine
News and events from around the world this month
OBITUARIES
NAM YUN KIM Korean violinist and pedagogue Nam
‘Baltic’ Guarneri sells for $9.44 million at auction
The c.1731 ‘Baltic’ Guarneri ‘del Gesù’ sold for
PREMIERE of the MONTH
MAN OF THE AUER: Italian violinist Giuseppe Gibboni
COMPETITIONS
1 Trio Menil 2 Abel Selaocoe 3 Nicola
On the go
MUSIC STAND
GOLDEN TOUCH
VIOLIN STRINGS
TWICE AS NICE
VIOLIN CASE
Life lessons
Catherine Hewgill
RC WILLIAMS COMPANY
RCWilliamsCompany.com
Pride of Norway
Musicians, luthiers and experts converged on Oslo’s National Museum in February for ‘Master to Master’, a feast for the eyes, ears and brain. Christian Lloyd reports on a full-on celebration of fine instruments
‘I WANT TO LIVE EVERY NOTE OF THE MUSIC’
The Russian-born UK-based violinist Alina Ibragimova is famed for her versatility and an intensely honest musical approach. She speaks to Jessica Duchen about her influences and plans for the future, including an increasing focus on playing–directing
BEYOND THE LIMITS
Since its creation in 2001, the charity Luthiers sans Frontières has brought the tools and skills for violin making to some of the poorest countries in the world. Peter Somerford speaks to representatives of the UK and US chapters to discover its impact over the past two decades
STEPPING OUT OF THE SHADOWS
Myra Ross began to lose what vision she had in her teens, but that hasn’t stopped her pursuing her passion for playing the viola and the violin. She writes about her experience as a blind string player, and the skills she has learnt in order to enjoy playing orchestral and, above all, chamber music
TWENTIETH CENTURY CLASSIC
Shostakovich’s Cello Sonata is a cornerstone of the repertoire, but with the composer’s own interpretative view seemingly shifting during his lifetime, it’s hard to know what he really meant. Cellist and Shostakovich scholar Elizabeth Wilson examines the puzzle of the different editions
TOTAL IMMERSION
British violinist Rachel Podger tells Toby Deller why making her new disc of C.P.E. Bach with keyboard player Kristian Bezuidenhout was an intense and all-consuming experience
ROOM TO BREATHE
In the first of two articles investigating how the arching of violin plates affects tone, Nigel Harris presents evidence, theoretical and experimental, regarding the ‘breathing action’ of the plates
GAETANO ANTONIAZZI
A close look at the work of great and unusual makers
Restoring the octagon of a violin bow
Makers reveal their special techniques
MICHALIS PANTELIDES
LUTHIER
Artists in resonance
Points of interest to violin and bow makers
GLAZUNOV ELEGY IN G MINOR FOR VIOLA AND PIANO OP.44
Violist Paul Laraia explores the lyrical possibilities of this miniature masterpiece and the emotional journey on which it takes the listener
Sound connections
Sostenuto: how to sing on the violin
CONCERTS
Your monthly critical round-up of performances, recordings and publications
RECORDINGS
CAROLINE BITTENCOURT AUERBACH 24 Preludes for violin and
BOOKS
MATADOR PUBLISHING Jacksons, Monk & Rowe and the
From the ARCHIVE
Spanish virtuoso Pablo de Sarasate gives an exclusive interview to The Strad in his eye-wateringly bright yellow salon in Paris
IN THE NEXT ISSUE
Ayanna Witter-Johnson The British cellist and singer– songwriter
ANTOINE TAMESTIT
The French violist has performed Mozart’s Sinfonia concertante with a host of different violin soloists, but the second movement still packs a hefty emotional punch
CHECKLIST
Questions to help you find the right course and to prepare you for life as a student
INSPIRED TO SUCCEED
Find out where you can study with some of the string world’s most in-demand pedagogues
COURSE LISTINGS
ARGENTINA Taller Escuela de Música y Artes (TEMA),
Edith Cnockaert, violin
Koninklijk Conservatorium Brussel, Brussels
Kristian Mráček, violin
Prague Conservatoire, Prague
Sophie Kauer, cello
Norwegian Academy of Music, Oslo
Élise Hiron, viola
Haute École de Musique de Lausanne, Sion Campus
Elliot Kempton, viola
Guildhall School of Music & Drama, London
Alyssa Barker, violin
Berklee College of Music, Boston, MA
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May 2023 and Degrees 2023-24 supplement
CONTENTS
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