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Editor’s letter

September may herald the end of summer, but it also signals the start of the new concert season and the academic year. Here at The Strad we traditionally mark the month by celebrating learning and education in all their forms. On our cover is the brilliant 27-year-old American violinist Randall Goosby. His star is truly in the ascendant with two albums for Decca under his belt and an array of high-profile concert dates. But despite his relative youth, he is already deeply committed to passing on what he has learnt to the younger generation. On page 32 he speaks to Amanda Holloway about mentoring young string players, taking music into the community and being an ambassador for diversity in classical music.

Music college is an exciting but high-pressured environment for the budding professional musician. Even the most talented and conscientious student will experience moments of anxiety and self-doubt. On page 58 Rita Fernandes examines the mental health provision in conservatoires; it’s gratifying to discover that more of them are increasingly focusing on a holistic approach to producing happy and well-balanced student musicians, well prepared to enter professional life in the music industry.

Taking on an apprentice luthier can be an intense experience too, and involves much care and responsibility on the part of the professional. On page 50 violin maker Sarah Kluge shares her tried-and-tested methods for training an apprentice all the way from student to journeyman, while maintaining a functional and harmonious workshop. Her article includes a useful checklist for any other professional makers who may be accepting apprentices into their team.

And what of the older learner? Billy Tobenkin is living proof that it’s never too late, having started the cello from scratch aged 25. Now a professional player and teacher, on page 42 he shares his thoughts about choosing repertoire for the adult cello student, and argues why diving straight into classic works such as Bach’s G major Prelude – as long as some adjustments are made – could give the mature learner exactly the motivation they need.

Email me at thestrad@thestrad.com or tweet @TheStradMag

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This article appears in September 2023

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This article appears in...
September 2023
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Editor’s letter
September may herald the end of summer, but
Contributors
RAINER MICHAEL COCRON (In Focus, page 85) studied
SOUNDPOST
Letters, emails, online comments
PODCAST OF THE MONTH
www.thestrad.com TOP 3 ONLINE POSTS 1 TwoSet
On the beat
News and events from around the world this month
NEWS IN BRIEF
Julia Fischer receives Bavarian arts award bit.ly/44D2Gc2
OBITUARIES
IRENE SHARP US cellist and pedagogue Irene Sharp
PREMIERE of the MONTH
KING’S COLLEGE: The dark form of Edward King,
COMPETITIONS
Affinity Quartet Mio Imai Christian McBride AFFINITY QUARTET
NEW PRODUCTS
BASS FINGERBOARD First of its kind A new,
Life lessons
The Juilliard Quartet second violinist on the joy and value of collaboration in chamber music
Spirit of camaraderie
The tenth Osaka International Chamber Music Competition and Festa featured not only a dizzying array of high-level music making, but also a sense of mutual support between the competitors, reports Robert Markow
The heights of viola heaven
Carlos María Solare reports from the 48th International Viola Congress, which took place in the tropical surroundings of Salaya, at the western borders of Thailand’s capital city
‘ALL IT TAKES IS ONE’
American violin virtuoso Randall Goosby may only be in his twenties, but he is already deeply committed to passing on his passion for music to the younger generation, as he tells Amanda Holloway
THE DEEP END
Billy Tobenkin, who began playing the cello aged 25, explores his own experience of learning Bach’s Prelude in G major after only a few months, and why he believes it is beneficial for adult learners to dive straight into ‘grown-up’ repertoire – offering tips on how to proceed
FIRST PRINCIPLES
When a professional luthier takes on someone new, the amount of learning needed to become a trusted employee can be overwhelming. Sarah Kluge explains her method of training an apprentice from scratch, including an essential list of dos and don’ts
BRIGHT YOUNG MINDS
Good mental health is crucial to a young musician’s development. Rita Fernandes hears from administrators, counsellors and teachers from leading music schools about what defines a successful conservatoire mental health support system
FAMILY FORTUNES
Zosimo Bergonzi, son of Carlo, was for a time the only luthier active in Cremona – but until recently the string world knew of only one instrument by him. Michel Samson tracks his career through his known works, which now number more than thirty
MARKING A MILESTONE
When Hilary Hahn decided to record Ysaÿe’s Six Solo Violin Sonatas for their centenary year, all the stars seemed to align in terms of both timing and fresh musical insights, as she tells Charlotte Gardner
WHAT’S THE BUZZ?
Finding why an instrument buzzes while playing is a task that bedevils luthiers. Dmitry Tarakanov presents a checklist for the most likely causes
FERDINANDO GARIMBERTI
IN FOCUS
Making an ebony crown
Makers reveal their special techniques
LUTHIER FLORIAN BARTSCH
LOCATION Essen, Germany
With 20 per cent extra
Points of interest to violin and bow makers
SCHUBERT STRING QUARTET IN G MAJOR, FIRST MOVEMENT
MASTERCLASS
Arriving in style
Teaching bow landings with special reference to Mozart
CONCERTS
Your monthly critical round-up of performances, recordings and publications
RECORDINGS
FONDATION GAUTIER CAPUÇON PRESENTS… CHAMINADE Piano Trio no.1
BOOKS
Chaconne Handbook I–II: A Theoretical and Practical Guide
petermach
www.petermach.com
From the ARCHIVE
In his early life, Franz Joseph Haydn supported himself as a violinist. T. Lamb Phipson gives an account of the composer’s formative years
ELDBJØRG HEMSING
The Norwegian violinist has fond memories of hearing Bruch’s First Violin Concerto for the first time – and advice for anyone looking to play it themselves in the future
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