From the ARCHIVE

FROM THE STRAD

JULY 1931

VOL.42 NO.495

Violinist–conductor Philip Cathie laments the decline of the amateur player, possibly a consequence of the growth in recorded music over the past decade

Iam one of those who have always been optimistic about the possible effects of broadcasting and gramophones on the future of music, believing that these things must inevitably raise the standard of taste revealed by audiences, thus proving beneficial in the long run to both music and musicians.

However this may be, one unlookedfor consequence of these inventions has been the decline of amateurism which they have brought in their train––the more unexpected because one would have imagined that the increased facilities provided for hearing the best music performed by the best players would have spurred amateurs on to greater and more serious efforts. That this is not the case, however, is made evident by the reports of teachers and dealers from all over the country.

Now I have no quarrel with the wireless fanatic who is forever making adjustments to his set, trying out new circuits and so forth, as not only is he helping in the perfection of radio–– he is also striving to introduce some personal elements into the programmes to which he listens, that he may say as the proud creator: “Isn’t reception good on my Supertone,” or whatever it may be; but it seems a pity that the urge for self-expression should in so many cases be allowed to degenerate into mere knob-twiddling. The more so as it is impossible to over-estimate the effect which amateurism has on the general “tone” of the profession and of music generally.

MARCO BORGGREVE

Quite apart from the immediate benefit which it brings to teachers and musical instrument dealers, there follows an enhanced appreciation of fine music and fine playing, a desire to hear famous artists and orchestras in the flesh, and a joy which only our own efforts at self-entertainment, however humble, can ever bring.

In allowing his own talents (often considerable) to rust, the amateur is losing his hold over one of the greatest sources of happiness which mankind has ever known.

In all arts, as in all sports, the existence of a considerable body of amateurs is an essential indication of well-being; and a decline of amateurism is immediately followed by a less healthy tone pervading the art or sport concerned. It will be a great pity and an ominous portent should this happen to music, therefore I say:

Wake up, amateurs!