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NEWS IN BRIEF

JULIA ALTUKHOVA

Anastasia Kobekina granted use of 1698 Stradivari cello bit.ly/3CkixOoRussian cellist Anastasia Kobekina has received use of the 1698 ‘De Kermadec-Bläss’ Stradivari cello, playing an instrument made in on loan from the Stradivari Foundation Habisreutinger. The 2 7-year-old had previously been 174 3 by G.B. Guadagnini. The cello, in the foundation’s possession since 1964, has most recently been played by Christine Hu of Trio Oreade from 2017 to 2021. The instrument has a poplar wood back and ribs and a pearwood scroll, a departure from the usual maple.

Royal College of Music opens new museum bit.ly/3pAVuLX

The Royal College of Music (RCM) opened its music museum on 5 October. The permanent display features 56 instruments, all in playable condition, taken from the 15,000 items in the RCM’s collection.

These include the world’s oldest guitar and earliest keyboard instrument with strings, as well as distinct stringed instruments. The museum was built as part of the RCM’s £40 million campus transformation project.

D’Addario Foundation funds music education programmes bit.ly/3beGkmZThe D’Addario Foundation has awarded $487,500 to music education programmes across the US and Canada. The funds go towards both monetary and product grants to enable organisations to continue their education and community programmes following the difficulties of the past year. Funds have been awarded to organisations that offer opportunities for music mentorship, immersive music education in schools and percussion-focused programming among other initiatives.

Do you have a topical story concerning the string music world? Email us at thestrad@thestrad.com

This article appears in December 2021

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This article appears in...
December 2021
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Editor’s letter
ANGELA LYONS Since its first appearance in the
Contributors
ENRICO ALVARES (Heifetz as teacher, page 52) was
SOUNDPOST
Letters, emails, online comments
Under the spotlight
This month, the future of UK conservatoire education will be discussed at a London conference. How can educators best help their students to become 21st-century musicians?
NEWS IN BRIEF
JULIA ALTUKHOVA Anastasia Kobekina granted use of 1698
OBITUARIES
CARL PINI British–Australian violinist Carl Pini has died
Meeting of the minds
A string quartet that brings encounters between the French musical greats to life
COMPETITIONS
1 Maria Ioudenitch IOUDENITCH PHOTO NISSOR ABDOURAKOV. DUE
Room to grow
A chin rest that can be tailored to players’ individual needs
INSTANT REPLAY
Musicians Susanna Klein and Randall Pharr have created
ARTISTIC LICENCE
Italian retailer Bogaro & Clemente has collaborated with
Life lessons
Amit Peled
Classical oasis
This summer, Dubai played host to the InClassica International Music Festival and Middle Eastern Classical Music Academy. Charlotte Smith braved soaring temperatures and an array of Covid travel regulations to witness performances by some of the world’s leading string players
A story’s end
Running from 27 August to 6 September, this year’s Musiktage Mondsee was the final edition to be directed by the Auryn Quartet. Laurence Vittes witnessed stylish performances amid stunning Austrian scenery –a fitting farewell to the 40-year-old ensemble
VENETIAN SPLENDOUR
Many of the great Italian double bass makers lived and worked in the city of Venice. Thomas Martin, George Martin and Martin Lawrence tell the stories of some of the leading names in the trade, with commentary on a number of their instruments
THE WORLD AT HIS FEET
Known principally as a revolutionary double bassist, Giovanni Bottesini was also a prolific composer and conductor. In celebration of his 200th birthday, Stephen Street looks at the life and career of a remarkable artist – and introduces us to his catalogue of works
UNITING voice
South African cellist-singer-composer Abel Selaocoe’s genre-defying performances have earned him several recent awards and a recording contract with Warner Classics. Tom Stewart meets the Manchester-based musician following his powerful BBC Proms 2021 debut
THE MAGIC TOUCH
New research has revealed how Stradivari, Amati and Guarneri ‘del Gesù’ all used tonewood that had been heavily treated with chemicals prior to carving. Wenjie Cai and Hwan-Ching Tai explain the study’s findings, and suggest it could indicate that the Cremonese makers were influenced by the contemporary alchemical beliefs
Words from the MASTER
Ayke Agus served as Heifetz’s personal accompanist during classes and performances for the last 15 years of his life. Here, she shares recollections of his practice routine and teaching methods with Enrico Alvares
WILLIAM FERGUSON
IN FOCUS A close look at the work of
Making an invisible neck graft
A procedure that takes a little longer than the standard method, but results in an almost undetectable fitting
MY SPACE
A peek into lutherie workshops around the world
The imitation game
In 1927 a cache of documents came to light, purportedly from the Stradivari workshop – and fooled some of the leading experts of the day. Carlo Chiesa explains how the case turned out to be an elaborate forgery
A LESSON IN PERFORMING SHORT PIECES
MASTERCLASS
TECHNIQUE
How to play a chop groove Mix up
CONCERTS
Your monthly critical round-up of performances, recordings and publications
RECORDINGS
★ TRANSFORMATION BACH Partita no.3 in E major
BOOKS
The (Fr)agile Orchestra: Empowerment strategies for orchestras Ed.
From the ARCHIVE
FROM THE STRAD DECEMBER 1951 VOL.62 NO.740
ARNOLD STEINHARDT
For the former leader of the Guarneri Quartet, Schubert’s Fantasy in C major is one of the most life-affirming works in the repertoire, as well as a test of technical skill
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