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Contributors

ENRICO ALVARES

(Heifetz as teacher, page 52) was a member of the Academy of St Martin in the Fields for ten years. He is extremely active as a violinist and promoter in the UK and European musical world and is a deeply devoted teacher at London’s Junior Trinity Laban Conservatoire of Music & Dance.

JUDITH VAN DRIEL

(Opinion, page 22) is the first violinist of the Dudok Quartet Amsterdam, an internationally operating string quartet. The ensemble focuses on shaping interpretations of the core repertoire and embedding these in programmes with new or non-classical music.

MARK PEMBERTON

(Books, page 90) is director of the Association of British Orchestras (ABO), which exists to champion, connect and develop professional orchestras across the UK. He is chair of the National Music Council, which exists to promote the interests of the music sector as a whole.

DAVID RATTRAY

(In Focus, page 55) is a violin maker and restorer based in Fife, Scotland. A senior fellow at London’s Royal Academy of Music, he has published works including Violin Making in Scotland and Masterpieces of Italian Violin Making.

STEPHEN STREET

(Bottesini’s 200th anniversary, page 36) graduated from Trinity Laban with a dual degree in classical and jazz performance. As a freelancer he relishes working in a variety of different idioms. His academic endeavours have focused on researching Giovanni Bottesini’s life and lost works to create and curate the Bottesini Urtext project.

HWAN-CHING TAI

(Wood treatment, page 48) is an assistant professor at the Department of Chemistry, National Taiwan University. He took violin lessons as a child and grew up to be an avid audiophile and music collector. His laboratory currently studies the neurochemistry of Alzheimer’s disease and the properties of Cremonese violins.

This article appears in December 2021

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This article appears in...
December 2021
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Editor’s letter
ANGELA LYONS Since its first appearance in the
Contributors
ENRICO ALVARES (Heifetz as teacher, page 52) was
SOUNDPOST
Letters, emails, online comments
Under the spotlight
This month, the future of UK conservatoire education will be discussed at a London conference. How can educators best help their students to become 21st-century musicians?
NEWS IN BRIEF
JULIA ALTUKHOVA Anastasia Kobekina granted use of 1698
OBITUARIES
CARL PINI British–Australian violinist Carl Pini has died
Meeting of the minds
A string quartet that brings encounters between the French musical greats to life
COMPETITIONS
1 Maria Ioudenitch IOUDENITCH PHOTO NISSOR ABDOURAKOV. DUE
Room to grow
A chin rest that can be tailored to players’ individual needs
INSTANT REPLAY
Musicians Susanna Klein and Randall Pharr have created
ARTISTIC LICENCE
Italian retailer Bogaro & Clemente has collaborated with
Life lessons
Amit Peled
Classical oasis
This summer, Dubai played host to the InClassica International Music Festival and Middle Eastern Classical Music Academy. Charlotte Smith braved soaring temperatures and an array of Covid travel regulations to witness performances by some of the world’s leading string players
A story’s end
Running from 27 August to 6 September, this year’s Musiktage Mondsee was the final edition to be directed by the Auryn Quartet. Laurence Vittes witnessed stylish performances amid stunning Austrian scenery –a fitting farewell to the 40-year-old ensemble
VENETIAN SPLENDOUR
Many of the great Italian double bass makers lived and worked in the city of Venice. Thomas Martin, George Martin and Martin Lawrence tell the stories of some of the leading names in the trade, with commentary on a number of their instruments
THE WORLD AT HIS FEET
Known principally as a revolutionary double bassist, Giovanni Bottesini was also a prolific composer and conductor. In celebration of his 200th birthday, Stephen Street looks at the life and career of a remarkable artist – and introduces us to his catalogue of works
UNITING voice
South African cellist-singer-composer Abel Selaocoe’s genre-defying performances have earned him several recent awards and a recording contract with Warner Classics. Tom Stewart meets the Manchester-based musician following his powerful BBC Proms 2021 debut
THE MAGIC TOUCH
New research has revealed how Stradivari, Amati and Guarneri ‘del Gesù’ all used tonewood that had been heavily treated with chemicals prior to carving. Wenjie Cai and Hwan-Ching Tai explain the study’s findings, and suggest it could indicate that the Cremonese makers were influenced by the contemporary alchemical beliefs
Words from the MASTER
Ayke Agus served as Heifetz’s personal accompanist during classes and performances for the last 15 years of his life. Here, she shares recollections of his practice routine and teaching methods with Enrico Alvares
WILLIAM FERGUSON
IN FOCUS A close look at the work of
Making an invisible neck graft
A procedure that takes a little longer than the standard method, but results in an almost undetectable fitting
MY SPACE
A peek into lutherie workshops around the world
The imitation game
In 1927 a cache of documents came to light, purportedly from the Stradivari workshop – and fooled some of the leading experts of the day. Carlo Chiesa explains how the case turned out to be an elaborate forgery
A LESSON IN PERFORMING SHORT PIECES
MASTERCLASS
TECHNIQUE
How to play a chop groove Mix up
CONCERTS
Your monthly critical round-up of performances, recordings and publications
RECORDINGS
★ TRANSFORMATION BACH Partita no.3 in E major
BOOKS
The (Fr)agile Orchestra: Empowerment strategies for orchestras Ed.
From the ARCHIVE
FROM THE STRAD DECEMBER 1951 VOL.62 NO.740
ARNOLD STEINHARDT
For the former leader of the Guarneri Quartet, Schubert’s Fantasy in C major is one of the most life-affirming works in the repertoire, as well as a test of technical skill
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December 2021
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