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Editor’s letter

ANGELA LYONS

Since its first appearance in the 16th century, the double bass has been championed by a number of leading luthiers and performers. These advocates have not only advanced the instrument’s design, but also developed increasingly sophisticated playing techniques, so that today the bass is equally capable of holding its own in solo, chamber and orchestral settings. In this issue we pay tribute to pioneers of the bass world. On page 28, Thomas Martin, George Martin and Martin Lawrence tell the stories of Venice’s foremost bass makers, from Matteo Gofriller to Domenico Busan and Domenico Montagnana. ‘For 200 years violin making thrived in the city, but it was perhaps when the luthiers turned their hand to making double basses that they were at their most unconstrained,’ write the authors.

December 2021 also marks the 200th anniversary of one of history’s most famous of bassists, Giovanni Bottesini. This 19th-century Italian virtuoso, often referred to as ‘the Paganini of the double bass’, revolutionised attitudes to the instrument, becoming one of the world’s first touring musicians alongside his constant companion, a 1716 Carlo Antonio Testore. Among the technical innovations outlined in his 1869 treatise were his use of thumb position, harmonics and the ‘Bottesini’ bow. Yet he saw himself primarily as a composer, and his extensive catalogue – including works not only for bass, but also operas, sinfonias, a requiem and a ballet – remains largely forgotten. Stephen Street explores his remarkable legacy on page 36.

From early ground-breakers to modern-day innovators: on page 42 Tom Stewart speaks to South African-born cellist Abel Selaocoe, whose genre-defying performances – combining his classical training with the musical influences of his youth – have earned him a recording contract with Warner Classics. As much a singer and composer as he is an instrumentalist, Selaocoe is redefining the role of performer for a new generation of artists, as evidenced by his charismatic performance at the 2021 BBC Proms.

Email me at thestrad@thestrad.comor tweet @TheStradMag

This article appears in December 2021

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December 2021
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Editor’s letter
ANGELA LYONS Since its first appearance in the
Contributors
ENRICO ALVARES (Heifetz as teacher, page 52) was
SOUNDPOST
Letters, emails, online comments
Under the spotlight
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1 Maria Ioudenitch IOUDENITCH PHOTO NISSOR ABDOURAKOV. DUE
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INSTANT REPLAY
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ARTISTIC LICENCE
Italian retailer Bogaro & Clemente has collaborated with
Life lessons
Amit Peled
Classical oasis
This summer, Dubai played host to the InClassica International Music Festival and Middle Eastern Classical Music Academy. Charlotte Smith braved soaring temperatures and an array of Covid travel regulations to witness performances by some of the world’s leading string players
A story’s end
Running from 27 August to 6 September, this year’s Musiktage Mondsee was the final edition to be directed by the Auryn Quartet. Laurence Vittes witnessed stylish performances amid stunning Austrian scenery –a fitting farewell to the 40-year-old ensemble
VENETIAN SPLENDOUR
Many of the great Italian double bass makers lived and worked in the city of Venice. Thomas Martin, George Martin and Martin Lawrence tell the stories of some of the leading names in the trade, with commentary on a number of their instruments
THE WORLD AT HIS FEET
Known principally as a revolutionary double bassist, Giovanni Bottesini was also a prolific composer and conductor. In celebration of his 200th birthday, Stephen Street looks at the life and career of a remarkable artist – and introduces us to his catalogue of works
UNITING voice
South African cellist-singer-composer Abel Selaocoe’s genre-defying performances have earned him several recent awards and a recording contract with Warner Classics. Tom Stewart meets the Manchester-based musician following his powerful BBC Proms 2021 debut
THE MAGIC TOUCH
New research has revealed how Stradivari, Amati and Guarneri ‘del Gesù’ all used tonewood that had been heavily treated with chemicals prior to carving. Wenjie Cai and Hwan-Ching Tai explain the study’s findings, and suggest it could indicate that the Cremonese makers were influenced by the contemporary alchemical beliefs
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Ayke Agus served as Heifetz’s personal accompanist during classes and performances for the last 15 years of his life. Here, she shares recollections of his practice routine and teaching methods with Enrico Alvares
WILLIAM FERGUSON
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MY SPACE
A peek into lutherie workshops around the world
The imitation game
In 1927 a cache of documents came to light, purportedly from the Stradivari workshop – and fooled some of the leading experts of the day. Carlo Chiesa explains how the case turned out to be an elaborate forgery
A LESSON IN PERFORMING SHORT PIECES
MASTERCLASS
TECHNIQUE
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CONCERTS
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RECORDINGS
★ TRANSFORMATION BACH Partita no.3 in E major
BOOKS
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From the ARCHIVE
FROM THE STRAD DECEMBER 1951 VOL.62 NO.740
ARNOLD STEINHARDT
For the former leader of the Guarneri Quartet, Schubert’s Fantasy in C major is one of the most life-affirming works in the repertoire, as well as a test of technical skill
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