COPIED
1 mins

MY SPACE

A peek into lutherie workshops around the world

ALL PHOTOS ANDREA ZANRÈ

Lutherie

LUTHIERS

ELISA SCROLLAVEZZA & ANDREA ZANRÈ

LOCATION Parma, Italy

We’ve been based in this building in Parma for more than a decade, but a couple of years ago we moved everything to a different section of the same building.

It was partly to take advantage of the larger space, with a total area of around 200 sq m, and partly because our previous workshop was listed as a residential apartment, whereas this one’s listed as an office. So we can take advantage of the lower taxes as well.

As well as the workspace shown here, where both of us work, we have a second room for our assistants, Alberto and Milena. Alberto’s been working with us for around ten years and makes his own instruments, so doesn’t need much supervision. Milena takes care of a lot of the business side, and is very independent herself.

We also have a smaller room for varnishing, a large entrance hall where we sell strings and accessories, a larger showroom where customers can try out instruments, an office with a small kitchen, and a storage room for books and cases.

The start of the Covid pandemic in 2020 was quite scary for us, as we didn’t know what the effect would be on business. However, it turned out that customers were happier to commission instruments from us without needing to come to the workshop, so things mainly carried on as normal. Also, we spend a lot of time examining instruments and publishing books about them, which is something we could carry on doing throughout the pandemic.

Another thing Elisa could continue with was her work as a sculptor. Our showroom contains some of h erartworks,includingaheadofMedusaandacoupledancinga tango. We often listen to tango music while we’re working on our instruments, along with a lot of classical and jazz.

This article appears in July 2022

Go to Page View
This article appears in...
July 2022
Go to Page View
Editor’s letter
As violin making dynasties go, the Cremonese Amati
Contributors
RAINERBEILHARZ (Making Matters, page 68) is a violin
SOUNDPOST
Letters, emails, online comments
Beyond priceless
News and events from around the world this month
OBITUARIES
JEAN-PHILIPPE VASSEUR The French violist Jean-Philippe Vasseur died
DaPonte Quartet fired by its board
The US’ Friends of the DaPonte String Quartet
Far from home
A Greek folk song is the inspiration for a meditative viola concerto
COMPETITIONS
2 Leonkoro Quartet 3 Terra Quartet 4 Yo-Yo
NEW PRODUCTS
FEATURED PRODUCT VIOLIN BRIDGE Holding up A
Life lessons
Hsin-Yun Huang
Music by the sea
The annual series of masterclasses held in the spectacular setting of Cornwall’s Prussia Cove celebrates its 50th anniversary this year. Rita Fernandes explores its welcoming and nurturing atmosphere
LAST BUT NOT LEAST
Girolamo Amati II was the final violin maker of the illustrious Amati dynasty – and possibly the most overlooked. Barbara Meyer examines a 1671 violin from his early career and contrasts it with another instrument he made 48 years later
LIFE IS AN ADVENTURE
The Brodsky Quartet is celebrating 50 years of pioneering music making that spans genres from Beethoven to Björk and beyond. Amanda Holloway catches up with the four musicians during their anniversary tour
WHAT DO WE REALLY KNOW ABOUT BACH’S CELLO SUITES?
Bach’s sublime Six Suites for solo cello are possibly the most frequently published works in western music history, yet their source editions are shrouded in mystery. Cellist and writer Jeffrey Solow puts forward an intriguing new theory as to their origins
SECOND VIENNESE JOURNEY
Sara Wolstenholme and Christopher Murray, both of the Heath Quartet, talk to Toby Deller about their pre-pandemic recording of intense Second Viennese School quartets – music from another time and place, in more ways than one
UNLOCKING THE SECRETS OF THE PAST
Did the great string players of old know something that we didn’t? Some of today’s virtuosos reveal to Charlotte Gardner the various technical and musical tools of the trade that are in danger of being lost in the current pursuit of perfection
THE SECOND TOURTE
The bows of François-Nicolas Voirin had more influence than those of any other bow maker after F.X. Tourte. In the first of two articles, Matt Wehling explores Voirin’s life and career, and examines why his bows were so successful with players
GENNARO GAGLIANO
A close look at the work of great and unusual makers
Designing and making a ferrule
Makers reveal their special techniques
MY SPACE
A peek into lutherie workshops around the world
Set the records straight
Points of interest to violin and bow makers
FRANCK VIOLIN SONATA (CELLO VERSION)
Preserving energy, planning ahead and prioritising phrasing in every line are key to cellist Antonio Meneses’s interpretation of the fourth movement
Smooth string-crossings
How to anticipate and execute string-crossings with maximum fluidity and control
Reviews
Your monthly critical round-up of performances, recordings and publications
RECORDINGS
RHYTHM AND THE BORROWED PAST AUERBACH Violin Sonata
BOOKS
Nigel Kennedy Uncensored! Nigel Kennedy 320PP ISBN 9781781558560
From the ARCHIVE
The great cellist and pedagogue Carl Fuchs (1865–1951) recalls some of the great players and composers seen during his time in Manchester – including the original Brodsky Quartet
IN THE NEXT ISSUE
Pekka Kuusisto The Finnish violinist has recently
KENNETH SILLITO
Performing Benjamin Britten’s 1931 String Quartet in D major for the composer was an eye-opening experience for the former leader of the Gabrieli Quartet
Looking for back issues?
Browse the Archive >

Previous Article Next Article
July 2022
CONTENTS
Page 66
PAGE VIEW