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2 mins

COMPETITIONS

Sydney Lee

1 Korean–American cellist Sydney Lee, 25, has received the inaugural Gurrena Fellowship scholarship worth $50,000 from the Meadowmount School of Music. Lee is currently completing a doctorate in musical arts at Northwestern University, IL, US, where she studies with Hans Jørgen Jensen. Lee will receive a housing allowance, professional artist management services, concert engagements and training from the school’s faculty.

Katie Yap

2 Australian violist Katie Yap, 32, has been awarded the Freedman Classical Fellowship and AUD21,000 (£12,300). Yap will use the money to create her interdisciplinary project Multitudes. The jury was made up of Australian National University School of Music head Kim Cunio, bassist Kirsty McCahon and Stephen Mould, senior lecturer at the Sydney Conservatorium of Music. Yap is a graduate of the University of Queensland and Australian National Academy of Music in Melbourne, Australia.

Bryan Cheng
LEE PHOTO TODD ROSENBERG. YAP PHOTO GRANT LESLIE. CHENG PHOTO AGATHA ROWLAND

3 Canadian cellist Bryan Cheng, 25, has won the Verbier Festival Academy’s Prix Yves Paternot, worth CHF10,000 (£8,700). This will go towards supporting concert opportunities and career development. It also comes with an invitation to return to Verbier to perform. Cheng is currently completing his masters degree at the Berlin University of the Arts, Germany, and previously studied at Northwestern University, IL, US.

4 Canadian violinist Arlan Vriens, 31, has been given the Lieutenant Governor of Alberta Emerging Artist award, which comes with CAD10,000, a medal and certificate. Vriens is a visiting scholar at the University of Cambridge and Doctor of Musical Arts candidate at the University of Toronto, Canada.

FORTHCOMING COMPETITIONS & AWARDS

International Violin Competition Henri Marteau in Lichtenberg, Germany, for violinists aged 24 or under. First prize €10,000 Deadline 31 January 2023; competition 23 April–6 May 2023 Web bit.ly/3C9o8tD

Karol Szymanowski International Music Competition in Katowice, Poland, for violinists and string quartets aged 17–32. First prize €25,000 for violin, €38,000 for string quartet Deadline 31 January 2023; competition 5–21 September 2023 Web bit.ly/3QPiXDc

Montreal International Music Competition in Montreal, Canada, for violinists aged 17–29. First prize CAD80,000 Deadline 15 November; competition 22 April– 4 May 2023 Web bit.ly/3pwkO4d

APPOINTMENTS

The Netherlands Philharmonic Orchestra has appointed Moldavian violinist Ionel Manciu as its new concertmaster

Romanian violist Sacha Botha and US violist

Stephen Upshaw have begun roles as professors of viola at London’s Trinity Laban Conservatoire

Japanese violinist Misako Akama has been named concertmaster of the Belgian National Orchestra

US–Jamaican violist Jordan Bak will join the music faculty at Bowling Green State University as assistant professor of viola

For current vacancies, see our online jobs page at www.thestrad.com/jobs

This article appears in October 2022

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This article appears in...
October 2022
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Editorís letter
This October in The Strad we celebrate the
Contributors
EDWINBARKER (Opinion, page 23) is a double bassist
SOUNDPOST
Letters, emails, online comments
Hair today, gone tomorrow
News and events from around the world this month
NEWS IN BRIEF
DAMIÁN POSSE PHOTOGRAPHY Alexandra Tirsu loaned Ida Haendel’s
OBITUARIES
MARIE LEONHARDT Swiss–Dutch violinist Marie Leonhardt died on
Scotland Unite
An all-Scottish team joins together for a light-hearted quintet
COMPETITIONS
Sydney Lee 1 Korean–American cellist Sydney Lee, 25,
Au naturel
VIOLIN AND VIOLA CASE
Life lessons
The American violist, a long-standing mainstay of the Kronos Quartet, discusses his enduring love for chamber music
Music from the fjords
Harriet Smith takes a boat deep into Norway’s west-coast waterways to experience a Beethoven-inspired festival held in a spectacular setting 
STEPPING INTO THE SPOTLIGHT
Double bassist Rick Stotijn is a musical pioneer, playing in every style and context from solo, chamber and orchestral music to rock and metal. He speaks to Kimon Daltas about his new album, his continuing quest for the original, and the importance of mentorship
THE LONG PATTERN
In the 18th and 19th centuries, double basses made in Vienna had distinctive shapes and characteristics that gave them tremendous sound quality. Bass maker and restorer Alex Kanzian examines the evolution of these instruments, and how they differ from the norm
INVITATION TO THE DANCE
The influence of fiddle dance music that emerged in 18thcentury Scotland still echoes through the reels and strathspeys of today. Aaron McGregor explores the legacy of the players, composers and publishers who helped create this golden age
RETURNED TO HER RIGHTFUL PLACE
Violinist Rachel Barton Pine and conductor Jonathon Heyward speak to Harry White about recording Florence Price’s lost-and-found late work, the Second Violin Concerto
STANDING OUT FROM THE CROWD
In a world that seems to value homogeneous perfection, how do you develop an individual voice on your instrument? Charlotte Gardner speaks to some of today’s top soloists to find out
The Australian Collection
The Strad Calendar 2023 showcases twelve fine instruments owned or played by Australians. Christian Lloyd takes a look at the treasures to be found Down Under
RAFFO CIPRIANI
IN FOCUS
Making a cello and bass mould
TRADE SECRETS
MY SPACE
A peek into lutherie workshops around the world
Artistic licence and the ‘true violin’
MAKING MATTERS
DEBUSSY CELLO SONATA
MASTERCLASS
Knuckling down
TECHNIQUE
CONCERTS
Your monthly critical round-up of performances, recordings and
RECORDINGS
RETHINKING BACH BACH Goldberg Variations (arr. Jiménez) Jorge
BOOKS
75 Years on 4 Strings: The Life and
From the ARCHIVE
Under the heading ‘Hot Hands’, readers attempt to help a novice player with that affliction in The Strad’s ‘Correspondence’ section
IN THE NEXT ISSUE
NORTH AMERICA FOCUS Emerson Quartet The veteran ensemble,
NOBUKO IMAI
The Japanese violist recalls how playing Mozart’s Symphony no.40 under Pablo Casals proved a life-changing experience and gave a vivid insight into the mind of a master musician
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