COPIED
2 mins

Au naturel

A bare wood case focused on security and affordability

FEATURED PRODUCT

‘I’ve always known the wooden shell underneath our leather cases was as light as our carbon-fibre ones, but never worked out how to present it in a watertight, attractive and resilient way,’ says Howard Wiseman, owner of Wiseman Cases. With the pandemic allowing time for experimentation, Wiseman made this goal a reality. The resulting 2.3kg Professional wooden violin and viola case is, he claims, almost as light and as strong as its carbon-fibre counterpart, but at nearly a third of the price. ‘Not everyone can justify paying £2,100 for a carbon-fibre case. This case performs identically but the cost is much lower.

‘You need two things to make a strong case,’ he continues. ‘A crush-resistant shell that won’t change shape when dropped, and something inside to absorb the transferred shock.’ The case’s shell is made of aircraft-grade birch plywood, which Wiseman says is both lightweight and strong owing to its layered composition. It is coated in a waterproof yacht-varnish. A neoprene seal surrounds the case when closed, and shock-absorbing foam inside the case is designed to protect the instrument.

The case’s interior is lined with velour, on to which Velcrolined foam blocks can be secured and adjusted. As part of the case’s suspension system, ‘the same support is given both underneath and above the body, providing support either side of the neck and lower corners, which results in mirrored cushioning.’ When closed, these allow the instrument to move against the foam if knocked. The case holds four bows, which are hung frog-end to avoid pressure on the tip and avoid contact with bow hair.

Several wearable parts are replaceable due to being Velcromounted, such as the exterior’s foam feet, handles and protective edging, which also comes in a light-reflective alternative. The case features an A3-sized music pocket, padded leather handles and straps, an internal storage pocket and storage for the shoulder rest. It comes in six stains: pine, oak, walnut, red mahogany, ebony and green. Viola cases are available to order, made specific to the size of the instrument.

Wiseman Professional wooden violin and viola case from £799

email sales@wisemancases.com

web www.wisemanlondon.com

VIOLA STRINGS

STRINGS OF STEEL

For the 10th anniversary of the Evah Pirazzi Gold range, Pirastro has released a new steel set for viola. The set includes rope steel-core D, G and C strings, and a solid steel-core A string. The top three strings are wound in chrome steel and C string in tungsten. The strings are designed to offer a brilliant and direct sound.

Pirastro Evah Pirazzi Gold steel set for viola from £130

email info@pirastro.com

web www.pirastro.com

CARPENTER’S SQUARE

SQUARE UP

Schilbach has released a 200mm x 130mm aluminium carpenter’s square with lasered markings, to avoid scratching the instrument. The square also features a hold for hanging. The small and large blades are made of black and silver anodised aluminium respectively.

Schilbach aluminium carpenter’s square €14.10

email shop@schilbach.net

web www.shop-schilbach.net

This article appears in October 2022

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This article appears in...
October 2022
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Editorís letter
This October in The Strad we celebrate the
Contributors
EDWINBARKER (Opinion, page 23) is a double bassist
SOUNDPOST
Letters, emails, online comments
Hair today, gone tomorrow
News and events from around the world this month
NEWS IN BRIEF
DAMIÁN POSSE PHOTOGRAPHY Alexandra Tirsu loaned Ida Haendel’s
OBITUARIES
MARIE LEONHARDT Swiss–Dutch violinist Marie Leonhardt died on
Scotland Unite
An all-Scottish team joins together for a light-hearted quintet
COMPETITIONS
Sydney Lee 1 Korean–American cellist Sydney Lee, 25,
Au naturel
VIOLIN AND VIOLA CASE
Life lessons
The American violist, a long-standing mainstay of the Kronos Quartet, discusses his enduring love for chamber music
Music from the fjords
Harriet Smith takes a boat deep into Norway’s west-coast waterways to experience a Beethoven-inspired festival held in a spectacular setting 
STEPPING INTO THE SPOTLIGHT
Double bassist Rick Stotijn is a musical pioneer, playing in every style and context from solo, chamber and orchestral music to rock and metal. He speaks to Kimon Daltas about his new album, his continuing quest for the original, and the importance of mentorship
THE LONG PATTERN
In the 18th and 19th centuries, double basses made in Vienna had distinctive shapes and characteristics that gave them tremendous sound quality. Bass maker and restorer Alex Kanzian examines the evolution of these instruments, and how they differ from the norm
INVITATION TO THE DANCE
The influence of fiddle dance music that emerged in 18thcentury Scotland still echoes through the reels and strathspeys of today. Aaron McGregor explores the legacy of the players, composers and publishers who helped create this golden age
RETURNED TO HER RIGHTFUL PLACE
Violinist Rachel Barton Pine and conductor Jonathon Heyward speak to Harry White about recording Florence Price’s lost-and-found late work, the Second Violin Concerto
STANDING OUT FROM THE CROWD
In a world that seems to value homogeneous perfection, how do you develop an individual voice on your instrument? Charlotte Gardner speaks to some of today’s top soloists to find out
The Australian Collection
The Strad Calendar 2023 showcases twelve fine instruments owned or played by Australians. Christian Lloyd takes a look at the treasures to be found Down Under
RAFFO CIPRIANI
IN FOCUS
Making a cello and bass mould
TRADE SECRETS
MY SPACE
A peek into lutherie workshops around the world
Artistic licence and the ‘true violin’
MAKING MATTERS
DEBUSSY CELLO SONATA
MASTERCLASS
Knuckling down
TECHNIQUE
CONCERTS
Your monthly critical round-up of performances, recordings and
RECORDINGS
RETHINKING BACH BACH Goldberg Variations (arr. Jiménez) Jorge
BOOKS
75 Years on 4 Strings: The Life and
From the ARCHIVE
Under the heading ‘Hot Hands’, readers attempt to help a novice player with that affliction in The Strad’s ‘Correspondence’ section
IN THE NEXT ISSUE
NORTH AMERICA FOCUS Emerson Quartet The veteran ensemble,
NOBUKO IMAI
The Japanese violist recalls how playing Mozart’s Symphony no.40 under Pablo Casals proved a life-changing experience and gave a vivid insight into the mind of a master musician
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