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Colours galore

An affordable range of uniquely colourful bow frogs

FEATURED PRODUCT

‘It was supposed to be a small retirement project,’ says now-retired Canadian violin and bow maker Charles Long, ‘but it became much larger than that!’ The luthier recently launched a series of colourful epoxy resin frogs, which were originally already mounted on intermediate-level black carbon-fibre bows. They will soon be available separately to mount on wooden bows. It took three years of experimentation, Long says, to achieve a design that was both aesthetically pleasing and to his standard of performance. ‘The resin is lighter than traditional ebony, so I made a wider ferrule and ribbon of hair to increase the weight and give a better grip.’ The silk winding is also dyed to match the resin’s colour, and the rest of the frog is made from traditional materials such as silver and leather.

‘There wasn’t anything like it on the market,’ Long says of the initial idea behind the ‘pandemic-inspired’ product. ‘I made a few in my shop and people had big smiles on their faces. Even though I thought the colours would mainly attract a younger crowd, I was surprised that a lot of older people bought them too,’ he says. Accessibility and affordability are key to the new product: ‘I’ve sold expensive bows all my life. People love them but of course they can’t afford them. These bows still perform well and are affordable.’

Long explains that he chose epoxy resin because it is a stable material and can be dyed in an extensive range of colours. Some bows come in an epoxy–ebony hybrid, and he is currently creating a range with more ‘classical’ colours, made of liquid gold, silver and copper, to look more suitable on wooden bows. The frogs are currently available for violin, viola and cello, and can be ordered via email.

Charles Long Colour resin frogs CA$500

email atelierviolong@gmail.com

web contact via email to order

STRINGS

CORE VALUES

Astrea Strings has released a synthetic core set for 3/4 and full-size violins. The firm’s existing steel E string is now joined by aluminium alloy-wound A and D strings, and a nickel alloy-wound G string. The strings are designed to offer more detailed sound than the previous steel core versions, which were wound with chrome tape.

Astrea synthetic steel-core violin strings £23.99 email contact via website

web www.astreastrings.com

VIOLIN CASE

A LIGHTER TOUCH

Case maker Musafia’s new Alisea version is available for the company’s Momentum, Superleggero, Luxury Ultralight and Master Series models. The Alisea is lined with SuperSilk velvet, which is designed for optimal stability in all climates, and the cover is made of lightweight Cordura nylon. It is lighter than the models’ original cases.

Musafia Alisea version from €837

email info@musafia.com

web www.musafia.com

This article appears in November 2022

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This article appears in...
November 2022
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Editorís letter
The Emerson Quartet has been acknowledged as one
Contributors
BENOITDUPEUX (Making Matters, page 74) is a French
VIOLA POWER
LETTER of the MONTH Mathis Rochat I was
TALES OF THE TRADE
The article on the Newark School of Violin
Driven to despair
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NEWS IN BRIEF
Ray Chen acquires Stradivari violin bit.ly/3Bod4af Violinist
OBITUARIES
JORJA FLEEZANIS US violinist Jorja Fleezanis died on
Electric echoes
PREMIERE of the MONTH
COMPETITIONS
2 Barbican Quartet 3 Benjamin Kruithof 4 Trio
Colours galore
BOW FROGS
Life lessons
Thomas Demenga
Perfect pairings
Laurence Vittes finds that the combination of chamber music and the vineyards of California’s Napa Valley makes a festival that’s hard to resist
EMERSON QUARTET
l–r Eugene Drucker, Philip Setzer, Lawrence Dutton and
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The quartet plays in the studio of Paul
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Composer, violinist, violist and singer Caroline Shaw was the youngest ever winner of the Pulitzer Prize for composition. She tells Toby Deller about the eclectic influences on her music, including her fascination with Renaissance motets, Haydn quartets – and citrus fruit
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While Arthur Abell had a taste for high society, his brother Edward became a recluse – but both had a penchant for fine violins and a cavalier attitude to the truth, as Clifford Hall reveals
STRENGTH IN DIFFERENCE
The members of the Chiaroscuro Quartet speak to Toby Deller about how they combined detailed preparation while retaining a sense of spontaneity when recording Mozart’s ‘Prussian’ Quartets
STYLE and SUBSTANCE
In our July 2022 issue, bow maker Matt Wehling profiled the highly influential maker F. N. Voirin. In this second article he probes deeper into some of Voirin’s artistic and technical advances, which were quickly implemented by most all French makers and paved the way for such luminary makers as Lamy, Sartory and E.A. Ouchard.
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Assigning a date to a Voirin bow is,
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Throughout Voirin’s career he upped the general precision
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Filling the hall: ideas and exercises for teaching projection
FURTHER MATERIALS
How I Play, How I Teach by Paul
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CONCERTS
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BARRY 1998; All day at home busy
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November 2022
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