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IN THE NEXT ISSUE

1693 ‘Harrison’ Stradivari

An instrument from the master luthier’s ‘Long Pattern’ period, now in the collection of the US’ National Music Museum

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Pavel Šporcl

The Czech violinist discusses everything from his new recording of Jan Kubelík’s First Concerto to his unusual blue violin

Bayreuth Festival

Violinist Thomas Eisner reports from the orchestra pit of one of the world’s most famous festivals

Felix Yaniewicz

The Lithuanian-born violinist and composer who founded the Edinburgh Music Festival

Cremonese archings

A method for copying the curves of the old Italians

PLUS

Session Report

Anne-Sophie Mutter and Pablo Ferrández record the Brahms ‘Double’ Concerto

Sentimental Work

Violinist Philippe Quint

This article appears in November 2022

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This article appears in...
November 2022
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Editorís letter
The Emerson Quartet has been acknowledged as one
Contributors
BENOITDUPEUX (Making Matters, page 74) is a French
VIOLA POWER
LETTER of the MONTH Mathis Rochat I was
TALES OF THE TRADE
The article on the Newark School of Violin
Driven to despair
Newsand events from around the world this month
NEWS IN BRIEF
Ray Chen acquires Stradivari violin bit.ly/3Bod4af Violinist
OBITUARIES
JORJA FLEEZANIS US violinist Jorja Fleezanis died on
Electric echoes
PREMIERE of the MONTH
COMPETITIONS
2 Barbican Quartet 3 Benjamin Kruithof 4 Trio
Colours galore
BOW FROGS
Life lessons
Thomas Demenga
Perfect pairings
Laurence Vittes finds that the combination of chamber music and the vineyards of California’s Napa Valley makes a festival that’s hard to resist
EMERSON QUARTET
l–r Eugene Drucker, Philip Setzer, Lawrence Dutton and
THE VALUE OF GOOD TOOLS
The quartet plays in the studio of Paul
BLACK COMMUNITY ORCHESTRAS IN THE US
Cleveland Press on 17 November 1958 described the
SOMETHING OLD, SOMETHING NEW CREDIT
Composer, violinist, violist and singer Caroline Shaw was the youngest ever winner of the Pulitzer Prize for composition. She tells Toby Deller about the eclectic influences on her music, including her fascination with Renaissance motets, Haydn quartets – and citrus fruit
SECRETS AND LIES
While Arthur Abell had a taste for high society, his brother Edward became a recluse – but both had a penchant for fine violins and a cavalier attitude to the truth, as Clifford Hall reveals
STRENGTH IN DIFFERENCE
The members of the Chiaroscuro Quartet speak to Toby Deller about how they combined detailed preparation while retaining a sense of spontaneity when recording Mozart’s ‘Prussian’ Quartets
STYLE and SUBSTANCE
In our July 2022 issue, bow maker Matt Wehling profiled the highly influential maker F. N. Voirin. In this second article he probes deeper into some of Voirin’s artistic and technical advances, which were quickly implemented by most all French makers and paved the way for such luminary makers as Lamy, Sartory and E.A. Ouchard.
DATING THE BOWS
Assigning a date to a Voirin bow is,
HOW VOIRIN CHANGED BOW AESTHETICS
Throughout Voirin’s career he upped the general precision
SANTO SERAFIN
Lutherie
Making a scroll cast using foam
An efficient method of casting a scroll that eliminates the need for silicone rubber
HUTHMAKER FAMILY
A peek into lutherie workshops around the world
Augmented reality
Points of interest to violin and bow makers
SCHUMANN SONATA NO.1 OP.105 FOR VIOLIN AND PIANO
Alexandra Wood explores the passionate and highly effective work of a composer tormented by his own ideals
THE SOLOIST
COURTESYAURORA ORCHESTRA NAME ALEXANDRA WOOD NATIONALITY BRITISH STUDIED
Sound travel
Filling the hall: ideas and exercises for teaching projection
FURTHER MATERIALS
How I Play, How I Teach by Paul
THIS MONTH’S RECOMMENDED RECORDINGS
Our pick of the new releases
CONCERTS
Your monthly critical round-up of performances, recordings and publications
RECORDINGS
BARRY 1998; All day at home busy
BOOKS
Distant Melodies: Music in Search of Home Edward
From the ARCHIVE
Violinist and Paganini expert Julius Siber gives some biographical notes on the ‘demon violinist’ to mark the 150th anniversary of his birth
IN THE NEXT ISSUE
1693 ‘Harrison’ Stradivari An instrument from the master
NICOLAS ALTSTAEDT
Dvořák’s ‘Dumky’ Piano Trio always seemed like the Mount Everest of the repertoire, until the Covid lockdowns gave the German cellist a chance to find the real meaning behind it
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November 2022
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