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Contributors

NICOLAS DUPONT

(Technique, page 76) is a Belgian violinist. He has made 25 recordings and premiered around 90 pieces. He now divides his time between teaching at the Conservatoire Royal de Bruxelles, orchestral leading, and solo and chamber concerts.

COLIN GOUGH

(Acoustic measurements, page 52) is an emeritus professor of physics at Birmingham University, UK, where he also led the resident Haywood String Quartet for almost 30 years. He combines his scientific and musical interests in leading research on instruments of the violin family.

KORINTHIA A. KLEIN

(Customer relations, page 32) is a luthier, musician and writer based in Milwaukee, WI, US, where she has run her own shop since 2008. She builds violins and violas, and works to keep student instruments functioning. Her latest book is entitled My Violin Needs Help! A Repair Diagnostics Guide for Players and Teachers.

WIM RAYMAEKERS

(Making Matters, page 70) studied art history at the University of Louvain and violin making in Puurs, Belgium. He has worked as a restorer for the Museum Vleeshuis in Antwerp. From 2012 to 2017 he taught violin making, organology and restoration techniques at the School of Arts of the University College Ghent.

MICHAEL RIEBER

(Masterclass, page 72) studied the double bass with Ulrich Lau at the Stuttgart University of Music and Performing Arts. He is now first solo double bassist with the NDR Symphony Orchestra Hamburg, and in 2007 was appointed professor for double bass at the city’s University for Music and Theatre.

ANDREA SCHUDTZ

(In Focus, page 61) attended the International School of Violin Making in Cremona, Italy. He now lives and works in Cremona. His instruments are made following the classical models of the Cremonese School, such as Stradivari, Amati and Guarneri ‘del Gesù’ with a personal touch.

This article appears in June 2024 and Accessories 2024 guide

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June 2024 and Accessories 2024 guide
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Editor's letter
L ong before the phrase ‘portfolio career’ was
Contributors
NICOLAS DUPONT (Technique, page 76) is a Belgian
SOUNDPOST
LETTER of the MONTH
Alternative measures
News and events from around the world this month
NEWS IN BRIEF
Violinist Alexandra Tirsu loaned 1717 ‘Reifenberg’ Stradivari bit.ly/3U8qTTC
OBITUARIES
EDMOND BEART The Belgian cellist and pedagogue Edmond
Feeling dandy
The Black dandyism fashion movement spawns a new cello concerto
COMPETITIONS
Javus Quartet 1 The Vienna-based Javus Quartet has
Not just a carbon copy
The world’s first 3D-printed carbon fibre cello
MATERIAL GAINS
ArcRest has released alternative species models for
HOLD ON
Arcofrog has released a German bass bow hold
Life lessons
The US violinist on the importance of our decisions and promoting inclusivity
Like father, like son
An Omobono Stradivari and two Vuillaumes were the standout lots during a varied spring auction season in London, as Kevin MacDonald reports
A night filled with stars
POSTCARD from... UTRECHT
NEW WAYS OF THINKING
Although British cellist Laura van der Heijden is well versed in live performance and studio recording, she is still discovering new facets of her musical personality, as Toby Deller finds out
RETAIL THERAPY
As a general rule, luthiers tend to be better at making instruments than making friends. Violin maker Korinthia A. Klein gives some hints and tips on good customer relations – both for the people entering the workshop and for those running it
‘MUSIC WILL NEVER LET YOU DOWN’
The Henschel Quartet celebrates its 30th anniversary this season. Co-founder and violist Monika Henschel-Schwind speaks to Andrew Stewart about the group’s longevity, and looks forward to the premiere of Freda Swain’s neglected ‘Norfolk’ String Quartet at Aldeburgh this summer
A HOMECOMING
Their latest recording gathers new music and 20th-century works by US composers, but the Miró Quartet musicians are always mindful of melodic accessibility. Harry White hears from cellist Joshua Gindele about the group’s commissioning process and recording the album
THREE’S COMPANY
Are piano trios having a sudden renaissance? Charlotte Gardner hears from industry professionals and from musicians who relish the repertoire offered by this flexible but underrated chamber grouping
THREE TO WATCH: MITHRAS TRIO
Violinist Ionel Manciu, cellist Leo Popplewell and pianist
THREE TO WATCH: TRIO ORELON
HÉLIOS PHOTO LYODOH KANEKO. ORELON PHOTO SERGIO BERTANI
THREE TO WATCH: TRIO CHAGALL
FEDERICO CARDAMONE YCat artist Trio Chagall was formed
LISTEN TO THE INNER VOICE
Normally, acoustic measurements are taken from outside the instrument – but the internal vibrations can reveal even more. Colin Gough presents a method for listening inside the soundbox and demonstrates what it can tell us about the sound
BRIDGING THE DECADES
The design of an instrument’s bridge is nowadays
EVASIO EMILIO GUERRA
A close look at the work of great and unusual makers
A workshop facility to measure violin family acoustics
Makers reveal their special techniques
MY SPACE
A peek into lutherie workshops around the world
A bridge too far?
Points of interest to violin and bow makers 
FRANCK VIOLIN SONATA, FIRST MOVEMENT
Taking inspiration from Jacqueline du Pré and singers, double bassist Michael Rieber shares tips on cultivating Franck’s delicate sound world, despite playing stratospherically high on the instrument
May the 5ths be with you
Using simplification to achieve better technique
CONCERTS
New York
RECORDINGS
HIDDEN FLAME BEACH Romance op.23 BOULANGER Three Pieces
BOOKS
Doreen Carwithen Dorothy Howell Ethel Smyth Rebecca Clarke
FROM THE STRAD
Violinist Archie Easton presents some ‘reminiscences of John Frederick Lott’ (1804–70), including his brief spell as an elephant trainer for a circus
IN THE NEXT ISSUE
1733 ‘Salabue, Martzy’ Carlo Bergonzi violin One of
ANDRÉS CÁRDENES
The Cuban-born violinist feels a rapport with the opulence of Chausson’s Poème – particularly with the revisions by its dedicatee, Eugène Ysaÿe
FUTURE PROOF
Natural hardwoods, including ebony and rosewood, are becoming
OUR FRIENDS ELECTRIC
Casey Driessen in his music studio MAIN PHOTO
STRING ACCESSORIES 2024
CASES ROSINS STRINGS TECH LUTHERIE SHOULDER RESTS The
CASES
A colourful collection to protect your instrument
STRINGS
New violin and viola sets
CELLO
Stabilising accessories for cellists
MUTES
Varying materials to help you keep quiet
LUTHERIE
Products for every violin maker's toolkit
SHOULDER RESTS
Rests for every shoulder shape COLOUR POP Initially
TECH
Lights, tuners and microphones
ROSINS
Recipes for every type of bow
BASS
Double bass-specific products
PHOTOSHOP: A STARTER GUIDE FOR LUTHIERS
The Strad’s art editor gives a guide to creating, isolating and removing images from a background, as well as understanding colour corrections and saving the files
Spoilt for choice
A variety of string, bow, shoulder rest and rosin manufacturers present specific ranges that are designed to be the best product you can buy within your price point
JARGAR STRINGS
Affordable Young Talent violin and cello sets The
SMOOTH OPERATOR
Before applying the first layer of varnish, ground coat or even primer to an instrument, the wood surface must first be prepared. Narelle Freeman examines some of the options for luthiers, and argues that equisetum hyemale provides the best results
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