COPIED
1 mins

MY SPACE

LOCATION Wallgau, Germany

I’ve been based in Wallgau, about six miles north of Mittenwald, since 2020. I studied at the Mittenwald School of Violin Making and spent 20 years working as a luthier in town. It was a very nice shop on the main street, formerly owned by the maker Johann Reiter, but there was only one small window. I’m much happier in this large, spacious workshop with two big windows that allow lots of light into the room. It also gives me a fine view of the Bavarian Alps if I ever need inspiration!

Although I continue to repair and restore instruments, for the past couple of years, nearly all my new making has been in the realm of miniature violins. All of them are playable, although the sound isn’t necessarily the best, and each one comes with a mini bow made by my friend Thomas Winterling, even if it’s going to someone who never intends to play it. I recently made one for a businessman who wanted to give it to his violinist wife on their wedding day! I also make display cases containing all the parts of a violin laid out. I’m flattered when other violin makers ask to buy these, as they use them to explain to their customers the intricacies of making a violin. It takes around a month to make each instrument, and they require a very steady hand; some parts, like the bridge, are exceptionally difficult to carve, while the purfling takes forever to fit.

The instrument hanging up to the right of the window is an ‘octave violin’, made by Johann Reiter in 1955. It’s the size of a large viola with a back length of 420mm, but the ribs are 55mm deep, so it has a very deep, rich tone, an octave lower than normal. Reiter conceived it as a kind of mobile cello, and even wrote his own compositions for it. My father is also a violin maker and when I moved into Reiter’s workshop in the 1990s, he gifted me this instrument to give it a kind of homecoming. ●

PROFILE PHOTO HANS SCHMID. WORKSHOP PHOTOS FABIAN ROESSLER
This article appears in January 2022 and String Courses supplement

Go to Page View
This article appears in...
January 2022 and String Courses supplement
Go to Page View
Editor's letter
CHARLOTTE SMITH Without question, lockdowns have presented multiple
CONTRIBUTORS
ALBERTO GIORDANO (1773 ‘Cozio’ Guadagnini viola, page 38)
SOUNDPOST
Letters, emails, online comments
ANALYSIS
News and events from around the world this month
NEWS IN BRIEF
Spektral Quartet to disband after 2021/22 season bit.ly/3DaB1jY
OBITUARIES
LUTHI PHOTO PHILIP IHLE TEPPO HAUTA-AHO Finnish double
NEWS/PREMIERE OF THE MONTH
CLIMATIC FINALE: Performers at the Incheon Art Center
COMPETITIONS
1 Michiaki Ueno UENO PHOTO ANNE-LAURE LECHAT. CHIU
AUCTION REPORT
The autumn sales saw a newcomer take the stage, in the form of Tarisio’s Berlin sale room. Kevin MacDonald reports on some of the highlights in London and Germany
PRODUCTS: ROSIN
ROSIN A new ball of wax Violin and
PRODUCTS: CELLO STRINGS
Chinese manufacturer For-Tune Strings has completed its Opal
PRODUCTS: RULER
Schilbach’s new flexible ruler, made from spring-tempered stainless
LIFE LESSONS
The Antipodean violinist on how chamber music and seizing opportunities made for a varied career in the New Zealand Quartet and as concertmaster of the Melbourne Symphony Orchestra
POSTCARD FROM MUNICH
Held every three years, the Hindemith International Viola Competition moved beyond its local origins to become a truly world-class event in 2021 – and a fitting tribute to its namesake, as Carlos María Solare reports
INSTINCTIVE PERFORMER
Steven Isserlis used the lockdowns of 2020 and 2021 to work on a trio of projects: a companion to Bach’s Cello Suites, a new performing edition of Dvořák’s Cello Concerto and a recording of British solo cello music – as the cellist tells Charlotte Smith
A SMALL BUT CRUCIAL OMISSION
The final five bars of the Prelude to Bach’s Second Cello Suite are often misinterpreted by performers, argues Mats Lidström, Leo Stern Professor of Cello at London’s Royal Academy of Music. Here he traces the source of the problem back to the ink- and paper-saving abbreviations of Baroque composers
THE ONLY CONSTANT IS CHANGE
The commercial relationship between G.B. Guadagnini and Count Cozio di Salabue allowed the luthier greater freedom to experiment. Alberto Giordano and Barthelemy Garnier examine a 1773 viola to show how the 62-year-old maker continued to adopt new methods and ways of working in this period
THOUGHTS THAT COUNT
Violinist and Alexander technique specialist Alun Thomas details pathways to effortless expression using three real-life student examples
FOCUSING THE LENS
For the LGT Young Soloists, recording a newly commissioned string symphony by Philip Glass provided ample opportunity for detailed and thoughtful music making – as the group’s artistic director, Alexander Gilman, tells Toby Deller
A STUDY IN SCARLET
Jesús Alejandro Torres reports on a study by the Violin Making School of Mexico, in which three copies of Stradivari’s ‘Titian’ violin were made using wood of varying densities, to examine their signature modes and player preferences
WHAT YOU MAKE OF IT
The lockdowns of the pandemic were particularly challenging for young artists looking to make a name for themselves, but providing support along the way were a number of schemes that ramped up their efforts accordingly. And, as Charlotte Gardner finds, for those musicians willing to take the initiative, the opportunities post-Covid are still out there
IN FOCUS
A close look at the work of great and unusual makers
TRADE SECRETS
Makers reveal their special techniques
MY SPACE
A peek into lutherie workshops around the world
MAKING MATTERS
Points of interest to violin and bow makers
MASTERCLASS
Violinist Francesca Dego looks at how to play the final movement of this violin concerto with direction, musicality and a sense of fun
TECHNIQUE
Fingerings and tricks to reduce pain and over-exertion for petite musicians
CONCERTS
Your monthly critical round-up of performances, recordings and publications
RECORDINGS
BACH Sonatas and Partitas for Solo Violin BWV1001–1006
BOOKS
I Am Cellist Dave Loew 280PP ISBN 9781922527257
FROM THE ARCHIVE
FROM THE STRAD JANUARY 1892 VOL.2 NO.21
IN THE NEXT ISSUE
FRENCH FOCUS
SENTIMENTAL WORK
The Walton Cello Concerto brings back fond memories for the British cellist, from one of his first concerts to a recent performance by early mentor Steven Isserlis
START YOUR COURSE HUNTING HERE!
Before you start combing through the string courses listed in this guide, take a look at these suggestions to help find the course that’s right for you
QUESTIONS TO GET YOU STARTED
Music Without Borders (see page 19) TOP PHOTO
COURSES FOR PLAYERS AND TEACHERS
PLAYERS KEY The young musicians from the 2021
COURSES FOR MAKERS
Violin and cello making at Halsway Manor, UK
Looking for back issues?
Browse the Archive >

Previous Article Next Article
January 2022 and String Courses supplement
CONTENTS
Page 74
PAGE VIEW